CV Franziska Schroeder 2012
School of Creative Arts
Franziska' research interests include the intersection of critical theory and digital performance, the role of the body in the age of technological change, as well as free improvisation practices.
Publications 2008 - 2013
Schroeder, F & Ó hAodha, M (eds) 2014, Soundweaving: Writings on Improvisation. Cambridge Scholars Publishing, Cambridge.
Schroeder, F 2009, Performing Technology: User Content and the New Digital Media. Cambridge Scholars Publishing.
Schroeder, F 2009, Re-situating Performance Within The Threshold: Performance Practice
Understood Through Theories Of Embodiment. VDM Publishing.
Schroeder, F 2012, Shifting Listening Identities – Towards a Fluidity of Form in Digital Music. in S Broadhurst & J Machon (eds), Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Studies in Performance and Technology, Palgrave Macmillan, pp. 24-43.
Schroeder, F 2009, Network[ed] Listening: exploring possibilities of a haptic aurality. in F Schroeder (ed.), Performing Technology: User Content and the New Digital Media. Cambridge Scholars Publishing, pp. 122-132.
Schroeder, F & Rebelo, P 2016, Distributed Sounding Art – Practices in Distributing Sound (eds. Barry Truax, Marcel Cobussen and Vincent Meelberg). in M Cobussen, V Meelberg & B Truax (eds), The Routledge Companion to Sounding Art . Routledge.
Schroeder, F 2015, Performing in the face of the academy: challenges for a creative practitioner within a university. in T Lind (ed.), Konstnärlig Forskning 2015. vol. 2015, Swedish Research Council, Stockholm, pp. 35-38, Swedish Research Council: Artistic Research, Boras, Sweden, 26-28 November.
Schroeder, F & Newland, I 2013, The Musical Body: Devising a choreo-musical interpretation for the work Tierkreis (1974-75) by Karlheinz Stockhausen. in S Reeve (ed.), Nine Ways of Seeing a Body. Nine Ways of Seeing a Body, Triarchy Press, pp. 99.
2012, 'Network[ed] Listening – towards a de-centering of beings
' Contemporary Music Review
, vol 32, no. 2-3, pp. 215-229. DOI: 10.1080/07494467.2013.775807
2009, 'The Body Skinned Rethinking performative presence
' Performance Research
, vol 14, no. 4, pp. 60-64. DOI: 10.1080/13528160903552949
2009, 'Dramaturgy as a Model for Geographically Displaced Collaborations: Views from Within and Views from Without
' Contemporary Music Review
, vol 28, no. 4-5, pp. 377-385. DOI: 10.1080/07494460903422263
Schroeder, F & Rebelo, P
2009, 'The Pontydian Performance: the performative layer
' Organised Sound
, vol 14, no. 2, pp. 134-141. DOI: 10.1017/S1355771809000247
Schroeder, F & Rebelo, P, Addressing the Network: Performative Strategies for Playing Apart, 2008, Web publication/site, Unknown Publisher, http://cec.sonus.ca/econtact/10_4/index.html.
Schroeder, F & Rebelo, P 2007, 'Wearable Music in Engaging Technologies' AI & SOCIETY Journal of Knowledge, Culture and Communication, vol 22, Number 1, no. 1, pp. 85-91.
Rebelo, P & Schroeder, F
2006, 'Performing the Order: The Messiness of Play
' Performance Research
, vol 11, no. 1, pp. 3-8. DOI: 10.1080/13528160600807372
Performances (selection since 2009)
Perspective on Musical Improvisation, Oxford
Showcase concert of new works for saxophone, SARC, Belfast
Sounds New Contemporary Music Festival, Canterbury
Sonorities Festival, Belfast with Evan Parker (PRS commission)
ICMC Huddersfield, Noise Quartet Concert
Concert Lisbon, Galeria LerDevagar with Ulrich Mitzlaff, Pedro Rebelo, Carlos Zingaro: http://www.flickr.com//photos/56689427@N04/sets/72157627221473930/show
Network Concert with Brazil: SARC , Sao Paulo: http://www.somasa.qub.ac.uk/~fhickmann/
Collaborative Radio work: SoundSon European Composition: http://shakerattleroll.parisson.org/programming.php#City%20Soundings
The Future University Conference, Mellon Foundation, Cambridge Concert Hall, http://www.crassh.cam.ac.uk/events/1649/; http://www.crassh.cam.ac.uk/events/1321/programme/
SARC, PhD new commissions showcase concert
Call Them Improvisors! - Music Collective with Evan Parker
Sonorities Festival of Contemporary Music,”sounding/the/ne”: a series of network concerts with Evan Parker and international performers in Belfast, Austria and Germany.
Newcastle, Music and Machine Symposium
London, Brunel University, Opening Performance of the 2010 Digital Resources for the Humanities and Arts Conference. Live Performance with Stelarc and the Avatar Orchestra Metaverse.
SARC Belfast: Concert of newly commissioned works
New York, NYU, Concert and panel discussion
Cork, Body and Music Conference
HERA: Humanities in the European Research area, Berlin opening concert
COMEDIA concert Budapest, Music in the Global Village conference
Sonorities Festival of Contemporary Music, Belfast: Premiere of a new commission for pipes, saxophones and 3D animation
Isabel Mundry Showcase performance, Sonic Arts Research Centre Belfast
Center for Musical Performance as Creative Practice (CMPCP), Opening Event of the newly funded AHRC performance/research center: Cambridge
Ars Electronica Center, Linz/Austria - concert and conference
Oscillations Festival, Belfast/UK
CD recording with BBC Radio 3 New Generation Artist Tom Arthurs (trumpet)
Goethe Institute, Lisbon/Portugal
Concert with Evan Parker, Oporto, Portugal
Casa da Música with members of the Remix Ensemble, Sound and Music Computing Conference. http://smc2009.smcnetwork.org/programme/performers. Oporto, Portugal
SecondLife Mixed Reality Project with the Avatar Orchestra Metaverse. www.avatarorchestra.org. Queen’s University Belfast, Brian Friel Theatre, Belfast/UK
Sonorities Festival of Contemporary Music; TWO Thousand +NINE symposium final concert
Musical Bodies conference, Royal College of Music, London/UK
Glucksman Gallery, Cork/Ireland
24 Fragments, Fragmented Orchestra Project: www.thefragmentedorchestra.com/sites/sarc
Schroeder, F, Campello, M & Godoy, R, Barely Cool, 2015, Composition, pfMENTUM.
Rebelo, P, Schroeder, F, Jacinto, R & Cepeda, A, Cidade Museu, 2015, Composition.
Schroeder, F, "io 0.0.1 beta++", 2011, Composition, Unknown Publisher, SLAM Records, Amazon, iTunes, eMusic.
Schroeder, F, Rotating Brains / Beating Heart: International collaborative performance with Stelarc, the virtual reality ensemble Avatar Orchestra Metaverse, Pauline Oliveros, Martin Parker and saxophonist Franziska Schroeder., 2010, Performance, Unknown Publisher, Antonin Artaud Performance Space, Brunel University London.
Schroeder, F, Caressing the Skin: Mobile Devices and bodily engagement, 2009, Design, Unknown Publisher, Online.
Schroeder, F, May there be…, 2008, Composition, Unknown Publisher, Creative Source Recordings.
Schroeder, F, Faint, 2007, Composition, Unknown Publisher, Creative Source Recording.
Recently Funded Projects
Big ears - Sonic art for public ears
01/08/2010 → 31/12/2099
AH/I500677/1, £10,273, Arts & Humanities Research Council
Real-Time Performance in Virtual Worlds
Rebelo, P. & Schroeder, F.
01/08/2006 → 31/07/2099
AH/D000572/1, £201,639, Arts & Humanities Research Council
Peer Review / Advisory Roles
AHRC Peer Review College since 2011