Simon Waters

      Phone: +44 (0)28 9097 4069

      For media contact email comms.office@qub.ac.uk
      or call +44(0)2890 973091.

      Scopus Citations 7

      1. 2016
      2. Published

        Engendering Hope: A person-centred reflection on technology and gender

        Waters, S. 2016 In : Contemporary Music Review. 35, 1, p. 61-70

        Research output: Contribution to journalArticle

      3. Published

        Inhabiting Sound: A Tactile-Sonic Basis for Musical Meaning

        Waters, S. 2016 Music Moves: Musical Dynamics of Relation, Knowledge and Transformation. Granger, C., Riedel, F., van Straaten, E-M. A. & Feller, G. (eds.). Hildesheim: Georg Olms Verlag, p. 225-244 20 p. (Göttinger Studien zur Musikwissenschaft; vol. 7)

        Research output: Chapter in Book/Report/Conference proceedingChapter

      4. 2015
      5. Published

        Tullis Rennie's Muscle Memory: Listening to the Act of Listening

        Waters, S. 02 Jan 2015 In : Contemporary Music Review. 34, 1, p. 22-32 11 p.

        Research output: Contribution to journalArticle

      6. 2014
      7. Published

        Engendering Hope

        Waters, S. Jul 2014

        Research output: Contribution to conferencePaper

      8. Published

        Inhabiting Sound: Tactile-sonic links in musical meaning

        Waters, S. 28 Jun 2014

        Research output: Contribution to conferencePaper

      9. 2013
      10. Published
      11. Unpublished

        Engendering Hope

        Waters, S. 2013

        Research output: Contribution to conferencePaper

      12. Unpublished

        Keynote: Digital (Ethno)musicology

        Waters, S. 2013

        Research output: Contribution to conferencePaper

      13. Unpublished

        Keynote: Inhabiting Sound

        Waters, S. 2013

        Research output: Contribution to conferencePaper

      14. 2012
      15. Unpublished

        A Dynamic(al) Performance System: The Hybrid Virtual/Physical Feedback Flute

        Waters, S. 2012

        Research output: Contribution to conferencePaper

      16. Unpublished

        Touching at a Distance: Building an Instrument

        Waters, S. 2012

        Research output: Contribution to conferencePaper

      17. 2011
      18. Unpublished

        A Performance Ecosystem

        Waters, S. 2011

        Research output: Contribution to conferencePaper

      19. Published

        Editorial: Performance Ecosystems

        Waters, S. 2011 In : Organised Sound. 16, 2, p. 95-96 2 p.

        Research output: Contribution to journalEditorial

      20. Unpublished

        Repetition and Identity

        Waters, S. & Stone-Davis, F. 2011

        Research output: Contribution to conferencePaper

      21. 2010
      22. Published

        Rotary/Lateral (Rondo): for cello, wine glasses and electronics

        Waters, S. 2010

        Research output: Non-textual formComposition

      23. 2009
      24. Published

        Content and Discontent

        Waters, S. Dec 2009 Performing Technology: User Content and the New Digital Media: Insights from the 2009 Symposium. Schroeder, F. (ed.). Cambridge Scholars Publishing, p. 145-159 15 p.

        Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

      25. Published

        Charles Nicholson and the London Flute Market in the early Nineteenth Century

        Waters, S. 2009

        Research output: Contribution to conferencePaper

      26. Unpublished
      27. 2008
      28. Unpublished
      29. 2007
      30. Published

        Performance Ecosystems: Ecological approaches to musical interaction

        Waters, S. 2007 20 p.

        Research output: Contribution to conferencePaper

      31. Unpublished

        Proximity and Presence

        Waters, S. 2007

        Research output: Contribution to conferencePaper

      32. 2006
      33. Published

        Proxemics: The World is a Deaf Machine

        Waters, S. 26 Nov 2006

        Research output: Non-textual formComposition

      34. Published

        Melt: for marimba and real-time sound processing

        Waters, S. 01 Jun 2006

        Research output: Non-textual formComposition

      35. Published

        Making the archive /archiving the making: Insights and outcomes from a major research project

        Waters, S. 2006 In : Organised Sound. 11, 2, p. 143-147

        Research output: Contribution to journalArticle

      36. Published

        Performance Ecosystems: Ecological approaches to musical interaction

        Waters, S. 2006

        Research output: Contribution to conferencePaper

      37. 2005
      38. Published

        Making the archive/archiving the making

        Waters, S. 2005

        Research output: Contribution to conferencePaper

      39. 2003
      40. Unpublished

        Klang und Genuss

        Waters, S. 2003 Ohne Rezept: No Concept.

        Research output: Chapter in Book/Report/Conference proceedingConference contribution

      41. Published

        'Thinking the unheard: Hybrid thought in musical practice'

        Waters, S. 2003 Hybrid Thought. Monk, J. & Hughes, R. (eds.). Milton Keynes: Open University, p. 163-189

        Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

      42. 2000
      43. Published

        The musical process in the age of digital intervention

        Waters, S. Dec 2000 In : ARiADA Texts. 1, 1

        Research output: Contribution to journalArticle

      44. Published

        Beyond the acousmatic: Hybrid tendencies in electroacoustic music

        Waters, S. 2000 Music, Electronic Media and Culture. Emmerson, S. (ed.). Aldershot: Ashgate Publishing, p. 56-83

        Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

      45. Published

        Trace: for clarinet, piano and concealed CD player

        Waters, S. 2000

        Research output: Non-textual formComposition

      46. 1999
      47. Unpublished

        Digital Aesthetics?

        Waters, S. 1999

        Research output: Contribution to conferencePaper

      48. Published

        Drift (Variant): for fixed media multichannel sound diffusion

        Waters, S. 1999

        Research output: Non-textual formComposition

      49. 1997
      50. Published
      51. 1996
      52. Published

        Time to consider: for solo harpsichord

        Waters, S. 1996

        Research output: Non-textual formComposition

      53. 1994
      54. Published
      55. Published

        Timbre Composition: Ideology, metaphor and social process

        Waters, S. 1994 In : Contemporary Music Review. 10, 2, p. 129-134

        Research output: Contribution to journalArticle

      56. 1993
      57. Published

        AfterImage: for baroque flute and fixed media

        Waters, S. 1993

        Research output: Non-textual formComposition

      58. Published

        Unearthing: for tape

        Waters, S. 1993

        Research output: Non-textual formComposition

      59. 1992
      60. Published

        Drift: for tape

        Waters, S. 1992

        Research output: Non-textual formComposition

      61. Published

        Frame: for soprano sax, bass clarinet and tape

        Waters, S. 1992

        Research output: Non-textual formComposition

      62. Published

        Nuntius: A computer system for the interactive composition and analysis of music and dance.

        Waters, S., Ungvary, T. & Rajka, P. 1992 In : Leonardo, Journal of Arts, Sciences and Technology. 25, 1, p. 59-68

        Research output: Contribution to journalArticle

      63. Published

        The Sonogram: A Tool for the Documentation of Musical Structure

        Waters, S. & Ungvary, T. 1992 In : Ex Tempore. 6, 1, p. 22-49

        Research output: Contribution to journalArticle

      64. 1990
      65. Published

        Inside/out: for tape

        Waters, S. 1990

        Research output: Non-textual formComposition

      66. Published

        The Sonogram: A Tool for Visual Documentation of Musical Structure

        Waters, S. & Ungvary, T. 1990

        Research output: Contribution to conferencePaper

      67. 1988
      68. Published

        Animata

        Waters, S. 1988

        Research output: Non-textual formComposition

      69. Published

        Plateau: for tape

        Waters, S. 1988

        Research output: Non-textual formComposition

      70. 1987
      71. Published

        Suspended Animation 4: for tape

        Waters, S. 1987

        Research output: Non-textual formComposition

      72. 1986
      73. Published
      74. 1985
      75. Published

        Suspended Animation 2: for tape

        Waters, S. 1985

        Research output: Non-textual formComposition

      76. 1984
      77. Published

        Interiors: for tape

        Waters, S. 1984

        Research output: Non-textual formComposition

      78. 1983
      79. Published

        Dangerous Liaisons: for tape

        Waters, S. 1983

        Research output: Non-textual formComposition

      80. Published

        Wastes: for percussion and tape

        Waters, S. 1983

        Research output: Non-textual formComposition

      81. 1980
      82. Published

        Passages: for tape

        Waters, S. 1980

        Research output: Non-textual formComposition