Simon Waters

Direct phone: +44 (0)28 9097 4069

For media contact email comms.office@qub.ac.uk
or call +44(0)2890 973091.

  1. 2014
  2. Published

    Inhabiting Sound: Tactile-sonic links in musical meaning

    Waters, S. 28 Jun 2014

    Research output: Contribution to conferencePaper

  3. Unpublished

    Engendering Hope

    Waters, S. 2014

    Research output: Contribution to conferencePaper

  4. 2013
  5. Published
  6. Unpublished

    Engendering Hope

    Waters, S. 2013

    Research output: Contribution to conferencePaper

  7. Unpublished

    Keynote: Digital (Ethno)musicology

    Waters, S. 2013

    Research output: Contribution to conferencePaper

  8. Unpublished

    Keynote: Inhabiting Sound

    Waters, S. 2013

    Research output: Contribution to conferencePaper

  9. 2012
  10. Unpublished

    A Dynamic(al) Performance System: The Hybrid Virtual/Physical Feedback Flute

    Waters, S. 2012

    Research output: Contribution to conferencePaper

  11. Unpublished

    Touching at a Distance: Building an Instrument

    Waters, S. 2012

    Research output: Contribution to conferencePaper

  12. 2011
  13. Unpublished

    A Performance Ecosystem

    Waters, S. 2011

    Research output: Contribution to conferencePaper

  14. Published

    Editorial: Performance Ecosystems

    Waters, S. 2011 In : Organised Sound. 16, 2, p. 95-96 2 p.

    Research output: Contribution to journalEditorial

  15. Unpublished

    Repetition and Identity

    Waters, S. & Stone-Davis, F. 2011

    Research output: Contribution to conferencePaper

  16. 2010
  17. Published

    Rotary/Lateral (Rondo): for cello, wine glasses and electronics

    Waters, S. 2010

    Research output: Non-textual formComposition

  18. 2009
  19. Published

    Content and Discontent

    Waters, S. Dec 2009 Performing Technology: User Content and the New Digital Media: Insights from the 2009 Symposium. Schroeder, F. (ed.). Cambridge Scholars Publishing, p. 145-159 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  20. Published

    Charles Nicholson and the London Flute Market in the early Nineteenth Century

    Waters, S. 2009

    Research output: Contribution to conferencePaper

  21. Unpublished
  22. 2008
  23. Unpublished
  24. 2007
  25. Published

    Performance Ecosystems: Ecological approaches to musical interaction

    Waters, S. 2007 20 p.

    Research output: Contribution to conferencePaper

  26. Unpublished

    Proximity and Presence

    Waters, S. 2007

    Research output: Contribution to conferencePaper

  27. 2006
  28. Published

    Proxemics: The World is a Deaf Machine

    Waters, S. 26 Nov 2006

    Research output: Non-textual formComposition

  29. Published

    Melt: for marimba and real-time sound processing

    Waters, S. 01 Jun 2006

    Research output: Non-textual formComposition

  30. Published

    Making the archive /archiving the making: Insights and outcomes from a major research project

    Waters, S. 2006 In : Organised Sound. 11, 2, p. 143-147

    Research output: Contribution to journalArticle

  31. Published

    Performance Ecosystems: Ecological approaches to musical interaction

    Waters, S. 2006

    Research output: Contribution to conferencePaper

  32. 2005
  33. Published

    Making the archive/archiving the making

    Waters, S. 2005

    Research output: Contribution to conferencePaper

  34. 2003
  35. Unpublished

    Klang und Genuss

    Waters, S. 2003 Ohne Rezept: No Concept.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  36. Published

    'Thinking the unheard: Hybrid thought in musical practice'

    Waters, S. 2003 Hybrid Thought. Monk, J. & Hughes, R. (eds.). Milton Keynes: Open University, p. 163-189

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  37. 2000
  38. Published

    The musical process in the age of digital intervention

    Waters, S. Dec 2000 In : ARiADA Texts. 1, 1

    Research output: Contribution to journalArticle

  39. Published

    Beyond the acousmatic: Hybrid tendencies in electroacoustic music

    Waters, S. 2000 Music, Electronic Media and Culture. Emmerson, S. (ed.). Aldershot: Ashgate Publications, p. 56-83

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  40. Published

    Trace: for clarinet, piano and concealed CD player

    Waters, S. 2000

    Research output: Non-textual formComposition

  41. 1999
  42. Unpublished

    Digital Aesthetics?

    Waters, S. 1999

    Research output: Contribution to conferencePaper

  43. Published

    Drift (Variant): for fixed media multichannel sound diffusion

    Waters, S. 1999

    Research output: Non-textual formComposition

  44. 1997
  45. Published
  46. 1996
  47. Published

    Time to consider: for solo harpsichord

    Waters, S. 1996

    Research output: Non-textual formComposition

  48. 1994
  49. Published
  50. Published

    Timbre Composition: Ideology, metaphor and social process

    Waters, S. 1994 In : Contemporary Music Review. 10, 2, p. 129-134

    Research output: Contribution to journalArticle

  51. 1993
  52. Published

    AfterImage: for baroque flute and fixed media

    Waters, S. 1993

    Research output: Non-textual formComposition

  53. Published

    Unearthing: for tape

    Waters, S. 1993

    Research output: Non-textual formComposition

  54. 1992
  55. Published

    Drift: for tape

    Waters, S. 1992

    Research output: Non-textual formComposition

  56. Published

    Frame: for soprano sax, bass clarinet and tape

    Waters, S. 1992

    Research output: Non-textual formComposition

  57. Published

    Nuntius: A computer system for the interactive composition and analysis of music and dance.

    Waters, S., Ungvary, T. & Rajka, P. 1992 In : Leonardo, Journal of Arts, Sciences and Technology. 25, 1, p. 59-68

    Research output: Contribution to journalArticle

  58. Published

    The Sonogram: A Tool for the Documentation of Musical Structure

    Waters, S. & Ungvary, T. 1992 In : Ex Tempore. 6, 1, p. 22-49

    Research output: Contribution to journalArticle

  59. 1990
  60. Published

    Inside/out: for tape

    Waters, S. 1990

    Research output: Non-textual formComposition

  61. Published

    The Sonogram: A Tool for Visual Documentation of Musical Structure

    Waters, S. & Ungvary, T. 1990

    Research output: Contribution to conferencePaper

  62. 1988
  63. Published

    Animata

    Waters, S. 1988

    Research output: Non-textual formComposition

  64. Published

    Plateau: for tape

    Waters, S. 1988

    Research output: Non-textual formComposition

  65. 1987
  66. Published

    Suspended Animation 4: for tape

    Waters, S. 1987

    Research output: Non-textual formComposition

  67. 1986
  68. Published
  69. 1985
  70. Published

    Suspended Animation 2: for tape

    Waters, S. 1985

    Research output: Non-textual formComposition

  71. 1984
  72. Published

    Interiors: for tape

    Waters, S. 1984

    Research output: Non-textual formComposition

  73. 1983
  74. Published

    Dangerous Liaisons: for tape

    Waters, S. 1983

    Research output: Non-textual formComposition

  75. Published

    Wastes: for percussion and tape

    Waters, S. 1983

    Research output: Non-textual formComposition

  76. 1980
  77. Published

    Passages: for tape

    Waters, S. 1980

    Research output: Non-textual formComposition