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Evocative Listening : Mediated Practices in Everyday Life

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The history of sonic arts is charged with transgressive practices that seek to expose the social, aural and cultural thresholds across various listening experiences, posing new questions in terms of the dialogue between listener and place. Recent work in sonic art exposes the need for an experiential understanding of listening that foregrounds the use of new personal technologies, environmental philosophy and the subject–object relationship. This paper aims to create a vocabulary that better contextualises recent installations and performances produced within the context of everyday life, by researchers and artists at the Sonic Arts Research Centre at Queen's University Belfast.
Original languageEnglish
Number of pages7
Pages (from-to)216-222
JournalOrganised Sound
Journal publication dateDec 2012
Issue number3
StatePublished - Dec 2012

Research areas

  • sound art, mobile media, listening, sonic arts, everyday


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