Evocative Listening : Mediated Practices in Everyday Life
Research output: Contribution to journal › Article
The history of sonic arts is charged with transgressive practices that seek to expose the social, aural and cultural thresholds across various listening experiences, posing new questions in terms of the dialogue between listener and place. Recent work in sonic art exposes the need for an experiential understanding of listening that foregrounds the use of new personal technologies, environmental philosophy and the subject–object relationship. This paper aims to create a vocabulary that better contextualises recent installations and performances produced within the context of everyday life, by researchers and artists at the Sonic Arts Research Centre at Queen's University Belfast.
|Number of pages||7|
|Journal publication date||Dec 2012|
|State||Published - Dec 2012|
- sound art, mobile media, listening, sonic arts, everyday
Impact: Cultural Impact, Societial Impact