The Uncertainty of Experience: On George Brecht's Event Scores

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      • Gascia Ouzounian

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      George Brecht, an artist best known for his associations with Fluxus, is considered to have made significant contributions to emerging traditions of conceptual art and experimental music in the early 1960s. His Event scores, brief verbal scores that comprised lists of terms or open-ended instructions, provided a signature model for indeterminate composition and were ‘used extensively by virtually every Fluxus artist’. This article revisits Brecht’s early writings and research to argue that, while Event scores were adopted within Fluxus performance, they were intended as much more than performance devices. Specifically, Brecht conceived of his works as ‘structures of experience’ that, by revealing the underlying connections between chanced forms, could enable a kind of enlightenment rooted within an experience of a ‘unified reality’.


      Original languageEnglish
      Number of pages14
      Pages (from-to)198-211
      JournalJournal of Visual Culture
      Journal publication dateAug 2011
      Issue number2
      StatePublished - Aug 2011

      ID: 772830