Research Output per year
Personal profile
Research Focus
Dr. Mollaghan is the author of the monograph The Visual Music Film (2015). Her current research interests focus on animation, the relationship between music, sound and the moving image, and landscape and sound in cinema. She continues to publish in these areas.
Achievements
Dr. Mollaghan joined Film at QUB in August 2019. Prior to this, she was the programme leader for Film Studies and Film Studies with Film Production at Edge Hill University and the co-ordinator for the MA Digital Media and BA with Film Studies degrees at NUI Galway. She holds a PhD from the University of Glasgow and an MPhil from Glasgow School of Art. She is currently the Review's Editor for animation: an interdisciplinary journal. She serves as a peer-reviewer for a number of academic publishers and journals. She been invited to speak at a number of public and academic events. She has served on the scientific committee for the biannual Seeing Sound Conference at Bath Spa University and has organised a number of symposiums on haunted landscapes in film and music, revolution in film and music and the audiovisual relationship in cinema. She is the external examiner for undergraduate film studies at the University of Salford.
Teaching
Module Convenor
FLM1002 Introduction to Film II
FLM2014 Film and Sound
FLM3019 Hollywood Cinema II
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Research Output
The Visual Music Film
Mollaghan, A., 04 Sep 2015, Palgrave Macmillan. 216 p. (Palgrave Studies in Audio-Visual Culture)Research output: Book/Report › Book
‘Feel Everything’: Animation, Advertising and Affect in Cinema and Television Idents
Mollaghan, A., 18 Dec 2019, Animation and Advertising. Cook, M. & Thompson, K. M. (eds.). Palgrave Macmillan, p. 299-312 (Palgrave Animation).Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
A Consideration of the Absolute in Visual Music Animation
Mollaghan, A., 12 Feb 2019, Experimental Animation: from Analogue to Digital. p. 37-50Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
‘The Rest is Silence’: Psychogeography, Soundscape and Nostalgia in Pat Collins' Silence
Mollaghan, A., Sep 2015, In : New Soundtrack. 5, 2, p. 121-132Research output: Contribution to journal › Article
Rebalancing the picture-sound relationship: The audiovisual compositions of Lis Rhodes
Mollaghan, A., 2017, The Music and Sound of Experimental Film. Rogers, H. & Barham, J. (eds.). Oxford: Oxford University Press, p. 205-218Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
Activities
External Examiner for BA Film Studies and BA English and Film Studies
Aimee Mollaghan (Examiner)
01 Oct 2018 → 30 Sep 2022
Activity: Examination types › UG external examination
Queen’s Music Events: A Consideration of the Idea of the Absolute in Visual Music Animation
Aimee Mollaghan (Advisor)
22 Jan 2020
Activity: Talk or presentation types › Invited talk
Music and Sound Design for the Screen
Aimee Mollaghan (Participant)
07 Sep 2019
Activity: Participating in or organising an event types › Participation in conference
Music and the Moving Image
Aimee Mollaghan (Participant)
31 May 2019 → 02 Jun 2019
Activity: Participating in or organising an event types › Participation in conference
Doing Women's Film and Television History
Aimee Mollaghan (Participant)
23 May 2018 → 25 May 2018
Activity: Participating in or organising an event types › Participation in conference