Research Output per year
Research Output per year
Room 0G.001 - 4 University Square
Accepting PhD Students
I would be interested in supervising PhD students in most areas of modern literary studies, particularly: -Decadence and Aestheticism; -Oscar Wilde; -Modernism; -literature and place; -the politics of literary form; -literary theory. Please contact me if you would like to discuss prospective projects.
Research output per year
My research covers the period 1840-present, with particular expertise in the following:
-Decadence and writing of the fin de siècle
-Literature and place (particularly London and New York)
-Literary and Critical Theory
My most recent monograph, Landscapes of Decadence: Literature and Place at the Fin de Siècle, was published by Cambridge University Press in 2016. I have recently edited: Decadence: A Literary History (Cambridge University Press, 2020), with Kate Hext Decadence in the Age of Modernism, (Johns Hopkins University Press, 2019), and with Jason David Hall, Decadent Poetics: Literature and Form at the British Fin de Siècle (Palgrave, 2013). I am currently editing with Sarah Parker For That Moment Only, And Other Prose Works for the MHRA's Jewelled Tortoise Series, bringing previoulsy unpublished prose writing by Katharine Bradley and Edith Cooper, who wrote under the name Michael Field, to print. Other recent or forthcoming publications include a special issue of Literature Compass on Sylvia Townsend Warner; essays on: the Cultural Geography of the late-Victorian city; Thomas De Quincey and Decadence; Oscar Wilde and Darwinism; Decadent Conservatism; Decadence and Catholicism; Evelyn Waugh and the 1890s; F. Scott Fitzgerald and European Decadence; John Dos Passos and Vision; Elizabethan Literature and 1890s Decadence; 'Michael Field' and late-Victorian travel; Agamben, Benjamin and Kant; historical fiction in the 1980s; Decadence in Britain and Ireland beyond London; Sylvia Townsend Warner, Blake, and Rural Politics; Michael Field and Romanticism; Vernon Lee's British and Irish Travel writing; Decadence and Experience.
Previous projects included a mongraph, two edited collections and a special journal issue on Italian philosopher Giorgio Agamben, and an edited collection on the French philosopher Gilbert Simondon, a Handbook of Modernism, and a book on contemporary London literature. My work on Agamben has been translated into Italian, Turkish, Japanese, and Simplified Chinese.
My first monograph, Recalling London (2007) examined the politics of history in contemporary London literature.
I am currently working on a study of the intersections between Aestheticism/Decadence and conservatism.
Landscapes of Decadence: Literature and Place at the Fin De Siècle. Cambridge: Cambridge University Press, 2016.
Giorgio Agamben. Routledge Critical Thinkers Series. London: Routledge, 2010.
Recalling London: Literature and History in the Work of Peter Ackroyd and Iain Sinclair. London: Continuum, 2007.
(With Sarah Parker), Michael Field, For That Moment Only, And Other Prose Works (Cambridge, MHRA: 2021 - under contract)
Edited Collections and Special Journal Issues
Decadence: A Literary History. Cambridge University Press, 2020.
With Kate Hext, Decadence in the Age of Modernism. Johns Hopkins University Press, 2019.
With Vike Plock, Special Issue of Literature Compass on Sylvia Townsend Warner Vol. 11, No. 12, 2014.
With Jason David Hall, Decadent Poetics: Literature and Form at the British Fin de Siècle. Houndsmill: Palgrave Macmillan, 2013.
With Arne de Boever, Jonathan Roffe and Ashley Woodward, Gilbert Simondon: Being and Technology. Edinburgh: Edinburgh University Press, 2012.
With Jessica Whyte, The Agamben Dictionary. Edinburgh: Edinburgh University Press, 2011.
With Thanos Zartaloudis, ‘Law and Thought: on the Work of Giorgio Agamben.’ Special issue of Law & Critique 20:3 2009
With Philip Tew, The Modernism Handbook. London: Continuum, 2009.
With Justin Clemens and Nick Heron, The Work of Giorgio Agamben: Law, Life, Literature. Edinburgh: Edinburgh University Press, 2008.
'Decadent Experience: Conservatism and Modernity', Victorian Literature and Culture Special Issue: Scales of Decadence. Ed. Dennis Denisoff. (2021 - forthcoming).
'Michael Field's Wordsworth', Victorian Poetry 58:4 (2020 - forthcoming).
'Jerusalem Building: Lolly Willowes, Blake and Rural Politics' Modernist Cultures 15:4 (2020), 419-441.
'"To See Clearly": John Dos Passos and Vision', Textual Practice 34:7 (2020), pp. 1187-1206
'“Through Variously Tinted Cosmopolitan Glasses”: Vernon Lee’s Travel Writing of the British Isles', Studies in Travel Writing 23:4 (2019), pp. 342-357.
'Fin-de-Siècle Decadence and Elizabethan Literature', English Literature in Transition 1880-1920 62.4 (2019), pp. 482-505.
‘The Dance of Death: Fitzgerald and Decadence’, MFS Modern Fiction Studies 62:3. (2016), pp. 387-411.
‘Decadence Revisited: Evelyn Waugh and the Afterlife of the 1890s’, Modernism/modernity 22:3 (2015), pp. 593-607.
‘Decadent Conservatism: Politics and Aesthetics in The Senate’, Journal of Victorian Culture 20: 2 (2015), pp. 186-211
‘Recusant Poetics: Rereading Catholicism at the Fin de Siècle’, English Literature in Transition 56:3 (2013), pp. 355-373.
‘“The Majesty of that Unknown”: Edgar Saltus and Decadent Futurity’, Symbiosis: A Journal of Transatlantic Literary Studies 16:1 (2012), pp. 177-189.
'Vestiges of the Phoenix: De Quincey, Kant and the Heavens’, Victoriographies 1:2 (2011), pp. 243-260.
‘Forgetting London: Paris, Cultural Cartography and Decadent Politics’, Journeys: A Journal of Travel Literature 11:2 (2010), pp. 30-50. Republished in The Long Journey: Exploring Travel and Travel Writing, Edited by Maria Pia Di Bella and Brian Yothers (New York: Berghahn, 2020).
‘Autoptic Film’, Cardozo Law Review 31:4 (2010), pp. 1217-1231.
‘Jack the Ripper, The Dialectic of Enlightenment and the Search for Spiritual Deliverance in White Chappell, Scarlet Tracings’, Critical Survey 16.1, (2004) pp. 52-66.
‘Reading London Stone: The Paradox of Material History in Representations of Contemporary London’, Literary London: Interdisciplinary Studies in the Representation of London 2.1, (2004) www.literarylondon.org
'Britain and Ireland: Decadence beyond London' in The Oxford Handbook of Decadence. Jane Desmarais and David Weir eds. Oxford: Oxford University Press, 2021 - in press.
'Louise Imogen Guiney and the Stuart Past' in Borderlands: The Art and Scholarship of Louise Imogen Guiney. Holly Nelson and Jonathan Nauman eds. The Vaughan Association, 2021.
'Introduction: Decadent Histories' in Decadence: A Literary History. Cambridge: Cambridge University Press, 2020, pp. 1-17.
With Ellen Crowell, 'Writing Decadent Lives and Letters' in Decadence: A Literary History. Cambridge: Cambridge University Press, 2020 pp. 377-393.
'The Vitality of Dorian Gray: Darwin, Philosophy, Life’ in The Picture of Dorian Gray in the Twenty-First Century. Richard A. Kaye (ed.). Oxford University Press, 2020 – in press.
‘“Profane Travellers”: Michael Field, Cornwall and Modern Tourism’ in Michael Field, Decadent Moderns. Sarah Parker and Ana Parejo Vadillo (eds.). Ohio University Press, 2019, pp. 167-187
With Kate Hext, 'Introduction' in Decadence in the Age of Modernism. Johns Hopkins University Press, 2019, pp. 1-26.
'Al di là dello spettacolo e dell’immagine: la poetica di Guy Debord e di Agamben', trans. Giuseppe Lucchesini, in Giorgio Agamben. Ontologia e politica. Ed. Valeria Bonacci. Macerata: Quadlibet, 2019. pp. 153-171.
'“The London Sunday Faded Slow”: Time to Spend in the Victorian City’ in The Oxford Handbook of Victorian Literary Culture. Juliet John (ed.). Oxford: Oxford University Press, 2016, pp. 310-326.
‘Enigmatic Intertexts: Decadence, De Quincey and the Sphinx’ in Decadent Romanticism. Kostas Boyiopoulos and Mark Sandy (eds.). Farnham: Ashgate, 2015, pp. 89-102.
‘Expropriated Experience: Agamben Reading Benjamin, Reading Kant’ in Towards the Critique of Violence: Walter Benjamin and Giorgio Agamben. Brendan Moran and Carlo Salzani. (eds.). London: Bloomsbury, 2015, pp. 215-230.
‘The Heritage Industry and Historiographical Metafiction: Historical Representation in the 1980s’ in 1980s: A Decade of Contemporary British Fiction. Philip Tew, Emily Horton, Leigh Wilson (eds). London: Bloomsbury, 2014, pp. 125-150.
'Introduction' (Co-authored) in Decadent Poetics: Literature and Form at the British Fin de Siècle. Houndsmill: Palgrave Macmillan, 2013, pp. 1-25.
'Introduction: The Lexicographer and the Sovereign' (co-authored) in The Agamben Dictionary. Alex Murray and Jessica Whyte (eds.). Edinburgh: Edinburgh University Press, 2011, pp. 1-14.
‘“This Light was Pale and Ghostly”: Stewart Home, Horror and the Gothic Destruction of “London”’ in Gothic London. Lawrence Phillips and Anne Witchard (eds.). London: Continuum, 2010, pp. 65-79.
‘Changes in the Canon’ in The Modernism Handbook. Alex Murray and Philip Tew (eds.) Continuum: London, 2009, pp. 158-169.
‘Introduction: Starting with Modernism’ (co-authored) in The Modernism Handbook. Alex Murray and Philip Tew (eds.). Continuum: London, 2009, pp. 1-15.
‘Beyond Spectacle and the Image: the Poetics of Guy Debord and Agamben’ in The Work of Giorgio Agamben: Law, Life, Literature. Justin Clemens, Nick Heron and Alex Murray (eds.). Edinburgh: Edinburgh University Press, 2008, pp 164-180.
‘Introduction: The Enigma of Giorgio Agamben’ (co-authored) in The Work of Giorgio Agamben: Law, Life, Literature. Justin Clemens, Nick Heron and Alex Murray (eds.). Edinburgh: Edinburgh University Press, 2008, pp. 1-12.
‘Literary Genealogy and the Aesthetics of Critique in the Work of Iain Sinclair’ in City Visions: The Work of Iain Sinclair. Jenny Bavidge and Robert Bond, eds. Newcastle: Cambridge Scholars Press, 2007, 68-81.
I convene the following modules:
ENG1005 - Reading the Modern City (co-taught with Dr Tom Hulme from History)
ENG2060 - Modernism and Modernity
ENG3183 - Writing New York, 1880-1940
ENG7362 - Decadence and the Birth of Modernism.
I am currently an External Examiner for the English Literature degrees at the University of Liverpool and Queen Mary, University of London.
Before joining Queen's in April 2015 I taught at the University of Exeter for seven years and have supervised six PhDs to completion. Topics included: Joyce and Critical Theory; contemporary poetry and excavation; Victorian alternative history writing; espionage fiction and national identity; Cold War nature writing; modernism and aviation.
I am currently primary supervisor of PhD projects on: Oscar Wilde and historiography; American modernism and gardens; Oscar Wilde and colour; education in inter-war women's writing in England; literature and politics at the Irish fin de siècle; Virginia Woolf and dance; a critical component for a creative writing PhD on Lesbian Historical Fiction.
I would be interested in supervising PhD students in most areas of modern literary studies, particularly: Decadence and Aestheticism; Modernism; literature and place; the politics of literary form; literary theory.
Please contact me if you would like to discuss prospective projects.
I undertook my BA (Hons) and PhD in English Literature at the University of Melbourne. Following my studies I moved to the UK in 2006, where I was a Teaching Fellow at University College London, before working as a Lecturer, then Senior Lecturer in Twentieth Century Literature at the University of Exeter (2007-2015). In April 2015 I joined Queen's University Belfast.
Research output: Contribution to journal › Article › peer-review
Activity: Participating in or organising an event types › Participation in conference
Franziska Schroeder (Participant), David Grant (Participant), Kurt Taroff (Participant), Cahal McLaughlin (Participant), Stefanie Lehner (Participant), Alex Murray (Participant), Sian Barber (Participant) & Paul Murphy (Participant)
Impact: Cultural Impact, Societial Impact