My project explores the musicking that takes places in refugee reception centres in Athens, Greece. Refugee reception centres are liminal places: placed on the ground of the potentially host society, yet their residents excluded from it. They are places contested, highly informed not only by the politics implemented, but by their residents’ cultures that are brought to coexist in precariousness, and the opposing poles of stability (due to the protracted stay) and mobility.
I’m interested in understanding the meanings embedded in certain musical practices, as well as the various encounters that may take place within this context. Focusing on musicking I look at the ways refugees’ aesthetic agencies are informed by their shifting backgrounds in which they live, and how they shape their sociality. I wish to provide insights in the refugees’ interactions and shaping relationships around various forms of musicking with refugees of different cultural background, or between them and people from the host society (present and active in reception centres, as volunteers, teachers, etc.), as they are waiting for their possible relocation. I’m particularly interested in figuring out the potential for multiple inclusions that participation in musicking may entail.
My research project has received Fieldwork Grant by the British Forum for Ethnomusicology. It has also been funded by the Northern Bridge Doctoral Training Partnership.