My research centres around theatre, translation and performance. As such it is supported by the principles of practice of research, where both are seen to be mutually interrogating, forming together a bi-ocular focus that brings together theoretical models and paradigms with forms of cultural praxis. In this sense, translation is assessed as a creative and re-creative practice whose methods, scope and insights underpin a conception of the Humanities as both rooted and contextualised in the current moment, and alive to the challenges and shaping forces of diverse histories and geographies.