Yo Tomita

Research output

Research output per year 1993 2004 2007 2009 2011 2012 2013 2016 2017 2019

• 23 Article
• 12 Chapter
• 11 Paper
• 7 Book
• 5 More
  • 2 Anthology
  • 1 Conference contribution
  • 1 Book/Film/Article review
  • 1 Web publication/site

Research output per year

Research output per year

Search results

• 2019

  Aspects of the reception of Bach’s Well-Tempered Clavier in Chopin’s time: An overview of print and manuscript sources

  Tomita, Y., 2019, Bach and Chopin: Baroque traditions in the music of the Romantics. Paczkowski, S. (ed.). Warsaw: The Fryderyk Chopin Institute, p. 171-196 26 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Well-tempered Clavier 100%
  • Edition 60%
  • Copy 40%
  • Labour 40%
  • Musical Texts 40%
• 2018

  Chopin's Canons: Technical development, chromaticism and its relationship with the aesthetics of his late style

  Kato, I. & Tomita, Y., 10 Apr 2018, In: ONgaku Kenkyu: Daigakuin Kenkyu Nenpo.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
  962 Downloads (Pure)

• The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II

  Tomita, Y., 01 Jun 2018, Compositional Choices and Meaning in the Vocal Music of J. S. Bach. Sanders, R. & Peters, M. (eds.). Lexington Books, p. 225-242 17 p. (Contextual Bach Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • thematic material 100%
• 2017

  Bach's quaver notation and performance implications: Study Session

  Tomita, Y., Schulenberg, D. & Lewis, D., Jul 2017, (Unpublished).

  Research output: Contribution to conference › Paper › peer-review

• Exploring J. S. Bach's musical thinking and performance intentions through the examination of his quaver-beam notation

  Tomita, Y., Mar 2017, (Unpublished).

  Research output: Contribution to conference › Paper › peer-review

  • intentions 100%
  • Quaver 75%
  • Rational 50%
  • Music 50%
  • Musical Activities 25%

• Revisiting the reception of J. S. Bach’s Well-Tempered Clavier II in Pre-Classical Vienna

  Tomita, Y., Sep 2017, A Musical Offering: Essays in Honour of Gerard Gillen. Houston, K. & White, H. (eds.). Dublin: Four Courts Press, p. 318-359 41 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Fugue 100%
  • Copy 100%
  • Preludes 60%
  • 1770s 20%
  • Musical Texts 20%

• Towards the Development of the Next Generation of Online Resources for Bach Scholarship

  Tomita, Y., Blanken, C., Rettinghaus, K. & Ebata, N., Mar 2017, (Unpublished).

  Research output: Contribution to conference › Paper › peer-review

  • panel discussion 100%
  • Data Mining 100%
• 2016

  Deciphering the performance hints hidden in J. S. Bach’s quaver beams

  Tomita, Y., Feb 2016, In: Early Music. 44, 1, p. 89-104 16 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

  • Quaver 100%
  • J. S. Bach 25%
  • Time Signature 25%
  757 Downloads (Pure)

• 'Geheimnisse der Harmonie': Bachfest Leipzig 2016: Review

  Tomita, Y., Oct 2016, In: Bach Notes: The Newsletter of the American Bach Society.. 25, p. 9-11

  Research output: Contribution to journal › Article

  Open Access

• Manuscripts

  Tomita, Y., 02 Dec 2016, The Routledge Research Companion to Johann Sebastian Bach. Leaver, R. (ed.). Abingdon: Routledge, p. 47-88 41 p. 3

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

  • Tuition Fee 100%
  • Scholarships 100%
  • Methodology 100%
  • Moral Concepts 100%
  • Higher Education Finance 100%

• Musicologist-driven writer identification in early music manuscripts

  Niitsuma, M., Schomaker, L., van Oosten, J-P., Tomita, Y. & Bell, D., Jun 2016, In: Multimedia Tools and Applications. p. 6463-6479 17 p.

  Research output: Contribution to journal › Article › peer-review

  • Analytical Method 100%
  • Segmentation 50%
  • Identification 50%
  • Feature Extraction 25%
  • Application 25%

• Reading performance implications from J. S. Bach's eighth-note beams

  Tomita, Y., 2016, (Unpublished).

  Research output: Contribution to conference › Paper › peer-review

  • Phrasing 100%

• Towards the accurate understanding of J. C. Altnickol’s copies of Bach’s works

  Tomita, Y., Jul 2016.

  Research output: Contribution to conference › Paper › peer-review

  • Copy 100%
  • Labour 42%
  • Chorale 28%
  • Well-tempered Clavier 28%
  • Musical Texts 14%
• 2015

  [review] Ulrich LEISINGER (ED.), Bach: Messe in h-Moll BWV 232 (Stuttgart: Carus, [2014]), 312 pp + 1 DVD-ROM, ISMN: 9790007142599, €199

  Tomita, Y., 26 Oct 2015, Bach Bibliography 3 p.

  Research output: Contribution to specialist publication › Book/Film/Article review

  • Expectation 100%
  • Hybrid 100%

• 'So herrlich stehst du, liebe Stadt!': Report on Bachfest Leipzig 12-21 June 2015

  Tomita, Y., Sep 2015, In: Bach Notes: The Newsletter of the American Bach Society.. 23, p. 8-11 4 p.

  Research output: Contribution to journal › Article
• 2014

  In Memoriam: Alison Jayne Dunlop (1985-2013)

  Tomita, Y., Mar 2014, In: Bach Notes: The Newsletter of the American Bach Society.. 20, p. 6-7 2 p.

  Research output: Contribution to journal › Article
• 2013

  Challenging Virtuality: A Response to Ruth Tatlow

  Tomita, Y., 31 Mar 2013, In: Bach Notes: The Newsletter of the American Bach Society.. 18, p. 3-6

  Research output: Contribution to journal › Article

  Open Access

  • Digital Age 100%

• Exploring Bach's B Minor Mass

  Tomita, Y. (ed.), Leaver, R. A. (ed.) & Smaczny, J. (ed.), 2013, Cambridge: Cambridge University Press. 340 p.

  Research output: Book/Report › Book

  • Minor Mass 100%
  • Opus 33%

• Mendelssohn and The Schübler Chorales (BWV 645-650): A new source found in the Riemenschneider Bach Institute collection

  Ebata, N., Tomita, Y. & Mills, I., Jun 2013, In: Bach. 44, 1, p. 1-45

  Research output: Contribution to journal › Article › peer-review

  • Chorale 100%

• Writer Identification in Old Music Manuscripts Using Contour-Hinge Feature and Dimensionality Reduction with an Autoencoder.

  Niitsuma, M., Schomaker, L., van Oosten, J-P. & Tomita, Y., Sep 2013, Computer Analysis of Images and Patterns: 15th International Conference, CAIP 2013, York, UK, August 27-29, 2013, Proceedings, Part II. Wilson, R. (ed.). PART 2 ed. Berlin and Heidelberg: Springer, Vol. 8048 LNCS. p. 555-562 8 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  1 Citation (Scopus)
• 2012

  Songs Both New and Old: A Review of the Bachfest Leipzig 2012

  Tomita, Y., Sep 2012, In: Bach Notes: The Newsletter of the American Bach Society.. 17, p. 1-5 5 p.

  Research output: Contribution to journal › Article

• Veiled Aspects of Bach Reception in the Long Nineteenth Century Exposed through a Macro-examination of Printed Music: with Particular Focus on The Well-Tempered Clavier

  Tomita, Y., Dec 2012, In: Understanding Bach. 7, null, p. 29-53 25 p.

  Research output: Contribution to journal › Article › peer-review

  • Bibliography 100%
  • Well-tempered Clavier 100%
  • Edition 100%
  • Bibliographies 100%
  • Publishers 100%

• 《ロ短調ミサ曲》とバッハ研究: 作品の伝承と楽譜編集史からみる研究上の諸問題

  Translated title of the contribution: The B-Minor Mass and Bach Research: Various research problems seen through the work's transmission and the history of editing the workTomita, Y., Jul 2012, In: Ongaku Kenkyujo Nenpo / Kunitachi College of Music Research Institute bulletin.. 24, p. 145-182 38 p.

  Research output: Contribution to journal › Article

  • Research 100%
  • Labour 100%
  • Minor Mass 66%
  • Review Article 33%
  • 21C 33%
• 2011

  Bach

  Tomita, Y. (ed.), Feb 2011, Farnham: Ashgate Publishing. 612 p. (The Baroque Composers)

  Research output: Book/Report › Book

  • Creative Genius 100%

• Classifying Bach's Handwritten C-Clefs

  Niitsuma, M. & Tomita, Y., Oct 2011, p. 417-422. 6 p.

  Research output: Contribution to conference › Paper

  3 Citations (Scopus)

• The implications of Bach's introduction of new fugal techniques and procedures in the Well-Tempered Clavier Book Two

  Tomita, Y., 2011, In: Understanding Bach. 6, p. 35-50

  Research output: Contribution to journal › Article › peer-review

  Open Access
  13 Downloads (Pure)

• 《ゴルトベルク変奏曲》の成立をめぐって: 現代におけるピアニストへの一提言

  Translated title of the contribution: On the origin of 'Goldberg Variations': a suggestion for today's pianistsTomita, Y., Mar 2011, In: Ongaku Kenkyujo Nenpo / Kunitachi College of Music Research Institute bulletin.. 23, p. 91-115 24 p.

  Research output: Contribution to journal › Article
• 2010

  Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music

  Tomita, Y., Nov 2010, Essays in Honor of Christopher Hogwood: The Maestro's Direction. Donahue, T. (ed.). Scarecrow Press, p. 13-40 28 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• オリジナル資料から学ぶバッハの《パルティータ》　第2番と第6番

  Translated title of the contribution: Learning Bach's Partitas Nos. 2 and 6 from the original sourcesTomita, Y., Mar 2010, In: Ongaku Kenkyujo Nenpo / Kunitachi College of Music Research Institute bulletin.. 22, p. 107-131 25 p.

  Research output: Contribution to journal › Article
• 2009

  Bachowskie przebudzenie Mozarta - studium kontekstu.

  Translated title of the contribution: Mozart’s Bach Awakening and its BackgroundTomita, Y., 2009, In: Przegląd Muzykologiczny. 7, p. 191-223 33 p.

  Research output: Contribution to journal › Article › peer-review

  • Mozart 100%
  • Fugue 50%
  • Music 33%
  • Back-ground 33%
  • Style 16%

• Neue Quellen zu Johann Sebastian Bachs Violinsoli (BWV 1001-1006): Zur Rekonstruktion eines wichtigen Überlieferungszweigs.

  Translated title of the contribution: New Sources of Johann Sebastian Bach's Violin Solo (BWV 1001-1006): Reconstruction of an important branch of its transmissionKovacevic, T. & Tomita, Y., 2009, In: Bach-Jahrbuch. 95, p. 49-74 26 p.

  Research output: Contribution to journal › Article › peer-review

• The Intersection of Computational Analysis and Music Manuscripts: A New Model for Bach Source Studies of the 21st Century

  Niitsuma, M., Fujinami, T. & Tomita, Y., Oct 2009, p. 519-524. 6 p.

  Research output: Contribution to conference › Paper

  2 Citations (Scopus)

• バッハの自筆譜から我々は何を学べるか。: 演奏者と研究者の永遠の課題

  Translated title of the contribution: What can we learn from Bach's autograph manuscripts? : An eternal question of performers and musicologistsTomita, Y., Mar 2009, In: Ongaku Kenkyujo Nenpo / Kunitachi College of Music Research Institute bulletin.. 21, p. 159-174 16 p.

  Research output: Contribution to journal › Article
• 2007

  Anna Magdalena as Bach's Copyist

  Tomita, Y., Apr 2007, In: Understanding Bach. 2, p. 59-76 18 p.

  Research output: Contribution to journal › Article › peer-review

  • copyists 100%
  • Calligraphy 33%
  • Autograph 33%

• Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988).

  Tomita, Y., Jan 2007, Music and Theology: Essays in Honor of Robin A. Leaver.. Zager, D. (ed.). Scarecrow Press, p. 169-192 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007.

  Tomita, Y. (ed.), Crean, S. (ed.) & Mills, I. (ed.), 04 Nov 2007, Belfast: School of Music and Sonic Arts. 366 p.

  Research output: Book/Report › Anthology

• International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book.

  Tomita, Y. (ed.) & Kovacevic, T. (ed.), 04 Nov 2007, Belfast: School of Music and Sonic Arts. 154 p.

  Research output: Book/Report › Anthology

• J.S. Bach: Das Wohltemperierte Klavier Teil II

  Tomita, Y., Mar 2007, G. Henle Verlag. 164 p.

  Research output: Book/Report › Book

• 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London

  Tomita, Y., 2007, The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire. Ellsworth, T. & Wollenberg, S. (eds.). Aldershot: Ashgate Publishing, p. 33-67 34 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2005

  Towards an intelligent score following system: Handling of mistakes and jumps encountered during piano practicing

  Tekin, M. E., Anagnostopoulou, C. & Tomita, Y., 2005, Computer Music Modeling and Retrieval: CMMR 2004. Vol. 3310. p. 211-219 9 p. (Lecture Notes in Computer Science ; vol. 3310).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  • Students 100%
  • Area 100%
  • Student 100%
  • Surveys 50%
  • Education 50%
  3 Citations (Scopus)
• 2004

  Bach's Credo in England: an early history

  Tomita, Y., May 2004, Bach Studies from Dublin: Selected Papers presented at the Ninth Biennial Conference on Baroque Music, held in Trinity College Dublin, 12-16 July 2000. Leahy, A. & Tomita, Y. (eds.). Four Courts Press, p. 205-227 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Bach Studies from Dublin: Selected Papers from the Ninth Biennial Conference on Baroque Music, held in Trinity College Dublin, 12-16 July 2000.

  Tomita, Y. (ed.) & Leahy, A. (ed.), May 2004, Four Courts Press. 272 p.

  Research output: Book/Report › Book

• Pursuit of Perfection: Stages of Revisions reflected in the Wesley/Horn '48'

  Tomita, Y., Dec 2004, The English Bach Awakening: Knowledge of J. S. Bach and his Music in England 1750-1830. Kassler, M. (ed.). Ashgate Publishing, p. 341-377 37 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Samuel Wesley as Analyst of Bach fugues

  Tomita, Y., Dec 2004, The English Bach Awakening: Knowledge of J. S. Bach and his Music in England 1750-1830. Kassler, M. (ed.). Ashgate Publishing, p. 379-402 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Dawn of the English Bach Awakening Manifested in Sources of the '48'

  Tomita, Y., Dec 2004, The English Bach Awakening: Knowledge of J. S. Bach and his Music in England 1750-1830. Kassler, M. (ed.). Ashgate Publishing, p. 35-167 133 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing

  Tekin, E. M., Anagnostopoulou, C. & Tomita, Y., May 2004.

  Research output: Contribution to conference › Paper
• 2003

  Fugal Composition: A Guide to the Study of Bach's '48' by Joseph Groocock

  Tomita, Y., Feb 2003, Greenwood. 248 p.

  Research output: Book/Report › Book
• 2002

  Breaking the Limits: Some Preliminary Considerations on Introducing an e-Science Model to Source Studies

  Tomita, Y., Nov 2002, p. 233-237. 5 p.

  Research output: Contribution to conference › Paper

• Streben nach Korrektheit: Samuel Wesley als Herausgeber von Bachs Klavierwerken

  Tomita, Y., Jan 2002, p. 87-103. 17 p.

  Research output: Contribution to conference › Paper
• 2001

  Psalm and the Well-Tempered Clavier II: revisiting the old question of Bach's source of inspiration

  Tomita, Y., Jan 2001, In: Bach. 32, p. 17-43 27 p.

  Research output: Contribution to journal › Article › peer-review