This article describes the evolution of the field of biosignal-driven art. It gives an account of the various historical periods of activity related to this practice and outlines current practices. It poses the question of whether this is an artistic field or if it is only a collection of disassociated practices with mere technical aspects in common. The aim is to draw commonalities and artistic differences between the works of different practitioners and encourage academic and artistic discussion about the key issues of the field.
|eContact! Biotechnological Performance Practice / Pratiques de performance biotechnologique
|Published - 2012