Bach's quaver notation and performance implications: Study Session

Yo Tomita; David Schulenberg; Daniel Lewis

Bach's quaver notation and performance implications: Study Session

Yo Tomita, David Schulenberg, Daniel Lewis

School of Arts, English and Languages

Research output: Contribution to conference › Paper › peer-review

Abstract

Bach’s quaver-beam notation is a new approach to Bach source studies. It concerns the theory that from the notational anomalies found in his quaver beaming one can sometimes learn what the composer may have been feeling as he was writing down the music on paper. This information is potentially significant for both performers and the editors of his music. The session discusses various issues from research methodologies to how one can interpret the information in today’s world climate of HIP.

Original language	English
Publication status	Unpublished - 10 Jul 2017
Event	8th J. S. Bach Dialogue Meeting of Bach Network UK 2017 - Madingley Hall, University of Cambridge, Cambridge, United Kingdom Duration: 10 Jul 2017 → 15 Jul 2017 https://www.bachnetwork.org/dialogue-meetings/dialogue-meeting-2017/

Conference

Conference	8th J. S. Bach Dialogue Meeting of Bach Network UK 2017
Country/Territory	United Kingdom
City	Cambridge
Period	10/07/2017 → 15/07/2017
Internet address	https://www.bachnetwork.org/dialogue-meetings/dialogue-meeting-2017/

Cite this

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title = "Bach's quaver notation and performance implications: Study Session",

abstract = "Bach{\textquoteright}s quaver-beam notation is a new approach to Bach source studies. It concerns the theory that from the notational anomalies found in his quaver beaming one can sometimes learn what the composer may have been feeling as he was writing down the music on paper. This information is potentially significant for both performers and the editors of his music. The session discusses various issues from research methodologies to how one can interpret the information in today{\textquoteright}s world climate of HIP.",

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AU - Schulenberg, David

AU - Lewis, Daniel

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AB - Bach’s quaver-beam notation is a new approach to Bach source studies. It concerns the theory that from the notational anomalies found in his quaver beaming one can sometimes learn what the composer may have been feeling as he was writing down the music on paper. This information is potentially significant for both performers and the editors of his music. The session discusses various issues from research methodologies to how one can interpret the information in today’s world climate of HIP.

M3 - Paper

Y2 - 10 July 2017 through 15 July 2017

ER -

Bach's quaver notation and performance implications: Study Session

Abstract

Conference

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