Cable Crossings: The Aran Jumper as Myth and Merchandise

Siún Carden

    Research output: Contribution to journalArticlepeer-review

    16 Citations (Scopus)
    994 Downloads (Pure)

    Abstract

    This article considers the Aran jumper as a cultural artefact from an anthropological perspective. As an internationally recognized symbol of Irishness that comes with its own myth of origin, the Aran jumper carries emotionally charged ideas about kinship and nativeness. Whether read as an ID document, family tree, representation of the landscape or reference to Christian or pre-Christian spirituality, the Aran jumper’s stitch patterns seem to invite interpretation. Emerging at a particular period in the relationship between Ireland and America, this garment and the story that accompanies it have been shaped by migration and tourism, but may be understood very differently on either side of the Atlantic. The resilience of the myth of a fisherman lost at sea, whose corpse is identifiable only by designs his relatives have stitched into his clothing, is explained in light of its resonance with diasporic narratives and transnational longings.
    Original languageEnglish
    Pages (from-to)260-275
    Number of pages16
    JournalCostume
    Volume48
    Issue number2
    DOIs
    Publication statusPublished - Jun 2014

    Keywords

    • knitting, nationalism, tourism, migration, Ireland, America, marketing

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