Abstract
This article examines the international release of the South Korean film Save the Green Planet! and argues that this is an example of a film whose cult reputation was pre-sold to audiences on the basis of constructed associations between Korean cinema and excessive violence. This article also considers the divided critical reception of Save the Green Planet! as experts from different fields argued over the value and meaning of the film.
| Original language | English |
|---|---|
| Journal | Asian Cinema |
| Volume | 22.1 |
| Publication status | Published - 2011 |
