Legislation conferring exclusive rights, for a period of 14 years, on persons inventing and designing engravings and similar works. This was first occasion on which British copyright legislation extended to something other than literary works. The commentary describes the background to the Act, in particular the lobbying efforts of a small group of artists and engravers led by William Hogarth, and details similarities and differences which the legislation bore to the Statute of Anne 1710. The commentary suggests that, whereas the Statute of Anne essentially sought to regulate the production of the physical book, with the Engravers' Act the legislature began to articulate a more subtle distinction between the physical object and the subject of copyright protection, which was in this case, the engraved image.
|Media of output||Online|
|Publisher||University of Cambridge|
|Publication status||Published - 2008|
Bibliographical notePlease cite as: Deazley, R. (2008) ‘Commentary on the Engravers' Act (1735)', in Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org
- copyright history
Deazley, R., Kretschmer, M. (Ed.), & Bently, L. (Ed.) (2008). Commentary on the Engravers' Act (1735). University of Cambridge. http://www.copyrighthistory.org/cam/tools/request/showRecord?id=commentary_uk_1735