Contribution towards an ethics of listening: an improvising musician's perspective

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Abstract

The practice of “free-improvised” music would seem to present a privileged site for the study of contingent relations: a world in which individuals dynamically adapt within a network of conduct which constitutes its own meaningfulness; in which sound and touch seem co-extensive. This would seem to be an ideal context for the discovery of empathic and ethical behavior. It is argued here, however, that “doing” empathy is in itself improvisatory, and that improvising can thus be placed centre-stage as an essential adapting and organizing skill, rather than a peripheral or abstruse “aesthetic” conduct.
Original languageEnglish
Number of pages8
JournalCritical Studies in Improvisation
Volume12
Issue number1
Publication statusPublished - 07 Apr 2018

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