Deviance in Counterculture Film (1967-1976)

Peter Scott Lederer

Research output: Contribution to conferencePosterpeer-review


The social stigma of deviance is the crucial element driving New Hollywood Aesthetics. Films analyzed include The Graduate (1967), Bonnie and Clyde (1967), Easy Rider, 1969, and Midnight Cowboy (1969).
Original languageEnglish
Publication statusPublished - 06 Jun 2016


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