Abstract
This article addresses challenges and opportunities posed by the design and production of network performance from the point of view of collaborative creative work. It examines strategies that, while referring to the network as a new medium for performance, make use of concepts from dramaturgy to better understand the relationships between artists, audiences and media. The author characterises three distinct models for dramaturgy, particularly from the point of view of collaboration, authorship, presence and environment.
Original language | English |
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Pages (from-to) | 387-393 |
Number of pages | 7 |
Journal | Contemporary Music Review |
Volume | 28 |
Issue number | 4-5 |
DOIs | |
Publication status | Published - 2009 |
ASJC Scopus subject areas
- Music
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Dive into the research topics of 'Dramaturgy in the Network'. Together they form a unique fingerprint.Impacts
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Performance Without Boundaries - a Global Stage
Franziska Schroeder (Participant) & Pedro Rebelo (Participant)
Impact: Societial Impact, Cultural Impact