Dublin Publications and Stage Representations A survey of Moore’s Irish Melodies and Lalla Rookh

Sarah McCleave

Dublin Publications and Stage Representations A survey of Moore’s Irish Melodies and Lalla Rookh

Sarah McCleave

School of Arts, English and Languages

Research output: Contribution to conference › Paper

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Abstract

This seminar paper introduces project ERIN and its outputs. It then provides an introduction to the musical and publishing networks in 19th-century Dublin that promoted the work of Thomas Moore.

Original language	English
Publication status	Published - 2017
Event	Institute of Irish Studies Seminar Series - QUB, Belfast, United Kingdom Duration: 08 Mar 2004 → …

Seminar

Seminar	Institute of Irish Studies Seminar Series
Country/Territory	United Kingdom
City	Belfast
Period	08/03/2004 → …

Bibliographical note

Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

Keywords

Thomas Moore
publishing -- 19th century
theatre music -- 19th century
Irish culture -- 19th century

ASJC Scopus subject areas

General Arts and Humanities

Access to Document

Dublin Publications and Stage Representations A survey of Moore’s Irish Melodies and Lalla Rookh
Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]
Other version, 3.27 MBLicence: Unspecified

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe
McCleave, S. (PI) & O'Hanlon, T. (CoI)
27/04/2015 → 31/08/2017
Project: Research

Cite this

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title = "Dublin Publications and Stage Representations A survey of Moore{\textquoteright}s Irish Melodies and Lalla Rookh",

abstract = "This seminar paper introduces project ERIN and its outputs. It then provides an introduction to the musical and publishing networks in 19th-century Dublin that promoted the work of Thomas Moore. ",

keywords = "Thomas Moore, publishing -- 19th century, theatre music -- 19th century, Irish culture -- 19th century",

author = "Sarah McCleave",

note = "Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected] ; Institute of Irish Studies Seminar Series ; Conference date: 08-03-2004",

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TY - CONF

T1 - Dublin Publications and Stage Representations A survey of Moore’s Irish Melodies and Lalla Rookh

AU - McCleave, Sarah

N1 - Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

PY - 2017

Y1 - 2017

N2 - This seminar paper introduces project ERIN and its outputs. It then provides an introduction to the musical and publishing networks in 19th-century Dublin that promoted the work of Thomas Moore.

AB - This seminar paper introduces project ERIN and its outputs. It then provides an introduction to the musical and publishing networks in 19th-century Dublin that promoted the work of Thomas Moore.

KW - Thomas Moore

KW - publishing -- 19th century

KW - theatre music -- 19th century

KW - Irish culture -- 19th century

M3 - Paper

T2 - Institute of Irish Studies Seminar Series

Y2 - 8 March 2004

ER -

Dublin Publications and Stage Representations A survey of Moore’s Irish Melodies and Lalla Rookh

Abstract

Seminar

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

Fingerprint

Projects

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe

Cite this