Abstract
This essay examines the relations between documentary style and political sensibility in the cinema of William Klein. It is structured around cultural phenomena that have remained integral to his artistic career, and encourages a more thorough engagement with the work of this diverse, inventive, and important filmmaker.
Original language | English |
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Pages (from-to) | 50-61 |
Journal | Film Quarterly |
Volume | 66 |
Issue number | 1 |
DOIs | |
Publication status | Published - 01 Sept 2012 |
Keywords
- Documentary
- Modernism
- Photographer-filmmakers
- Politics
- William klein
ASJC Scopus subject areas
- Visual Arts and Performing Arts