Abstract
The development of new digital technologies and representational forms has revived interest in the complex relationship between photography and cinema. Independent filmmakers are availing themselves of alternative exhibition formats and spaces for their work, and moving image experimentation is now commonplace in the fields of contemporary fine art, design, music, and theatre.
For this Special Issue of Screening the Past, our guest editors Des O’Rawe and Sam Rohdie bring together a collection of original research articles on the aesthetic and institutional relations between film, photography, and the visual arts, in particular writing that is attentive to cinematic forms and their reconfiguration within the contemporary visual arts.
For this Special Issue of Screening the Past, our guest editors Des O’Rawe and Sam Rohdie bring together a collection of original research articles on the aesthetic and institutional relations between film, photography, and the visual arts, in particular writing that is attentive to cinematic forms and their reconfiguration within the contemporary visual arts.
| Original language | English |
|---|---|
| Journal | Screening the Past |
| Volume | 29 |
| Publication status | Published - 18 Nov 2010 |