Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
Abstract
This essay investigates some of the ways in which traumatic intercultural arrivals and encounters are dramatized and staged in contemporary Irish theatre. Plays examined include Donal O'Kelly's Asylum! Asylum! (1994); Gavin Kostick's This Is What We Sang (2009); Elizabeth Kuti's The Sugar Wife (2005); Gianina Cãrbunario's Kebab (2007); Mirjana Rendulic's Broken Promise Land (2013); Paul Meade's Mushroom (2007); Owen McCafferty's Quietly (2009); and Stacey Gregg's Shibboleth (2015). The essay offers an analysis of the shared critical engagement of these plays with notions of community and immigration and with the links of these notions to social and ethnic divisions. It puts forward the argument that the selected plays question relationships between agency, victimhood and trauma and the artistic representation of pain and suffering. The essay concludes that in these Irish plays with international protagonists a common focus on shared humanity is applied through the use of familiar Irish dramaturgical techniques that highlight the absurdity of arbitrary frontiers between people.
Original language
English
Title of host publication
The Palgrave Handbook of Contemporary Irish Theatre and Performance. Ed. Eamonn Jordan, Eric Weitz. Forthcoming: Palgrave Macmillan, 2018.
title = "Eva Urban. 'Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama'.",
abstract = "This essay investigates some of the ways in which traumatic intercultural arrivals and encounters are dramatized and staged in contemporary Irish theatre. Plays examined include Donal O'Kelly's Asylum! Asylum! (1994); Gavin Kostick's This Is What We Sang (2009); Elizabeth Kuti's The Sugar Wife (2005); Gianina C{\~a}rbunario's Kebab (2007); Mirjana Rendulic's Broken Promise Land (2013); Paul Meade's Mushroom (2007); Owen McCafferty's Quietly (2009); and Stacey Gregg's Shibboleth (2015). The essay offers an analysis of the shared critical engagement of these plays with notions of community and immigration and with the links of these notions to social and ethnic divisions. It puts forward the argument that the selected plays question relationships between agency, victimhood and trauma and the artistic representation of pain and suffering. The essay concludes that in these Irish plays with international protagonists a common focus on shared humanity is applied through the use of familiar Irish dramaturgical techniques that highlight the absurdity of arbitrary frontiers between people.",
author = "Eva Urban",
year = "2018",
month = oct,
day = "1",
language = "English",
pages = "555--574",
booktitle = "The Palgrave Handbook of Contemporary Irish Theatre and Performance. Ed. Eamonn Jordan, Eric Weitz. Forthcoming: Palgrave Macmillan, 2018.",
The Palgrave Handbook of Contemporary Irish Theatre and Performance. Ed. Eamonn Jordan, Eric Weitz. Forthcoming: Palgrave Macmillan, 2018.. Palgrave Macmillan, 2018. p. 555-574.
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)
TY - CHAP
T1 - Eva Urban. 'Intercultural Arrivals and Encounters with Trauma in Contemporary Irish Drama'.
AU - Urban, Eva
PY - 2018/10/1
Y1 - 2018/10/1
N2 - This essay investigates some of the ways in which traumatic intercultural arrivals and encounters are dramatized and staged in contemporary Irish theatre. Plays examined include Donal O'Kelly's Asylum! Asylum! (1994); Gavin Kostick's This Is What We Sang (2009); Elizabeth Kuti's The Sugar Wife (2005); Gianina Cãrbunario's Kebab (2007); Mirjana Rendulic's Broken Promise Land (2013); Paul Meade's Mushroom (2007); Owen McCafferty's Quietly (2009); and Stacey Gregg's Shibboleth (2015). The essay offers an analysis of the shared critical engagement of these plays with notions of community and immigration and with the links of these notions to social and ethnic divisions. It puts forward the argument that the selected plays question relationships between agency, victimhood and trauma and the artistic representation of pain and suffering. The essay concludes that in these Irish plays with international protagonists a common focus on shared humanity is applied through the use of familiar Irish dramaturgical techniques that highlight the absurdity of arbitrary frontiers between people.
AB - This essay investigates some of the ways in which traumatic intercultural arrivals and encounters are dramatized and staged in contemporary Irish theatre. Plays examined include Donal O'Kelly's Asylum! Asylum! (1994); Gavin Kostick's This Is What We Sang (2009); Elizabeth Kuti's The Sugar Wife (2005); Gianina Cãrbunario's Kebab (2007); Mirjana Rendulic's Broken Promise Land (2013); Paul Meade's Mushroom (2007); Owen McCafferty's Quietly (2009); and Stacey Gregg's Shibboleth (2015). The essay offers an analysis of the shared critical engagement of these plays with notions of community and immigration and with the links of these notions to social and ethnic divisions. It puts forward the argument that the selected plays question relationships between agency, victimhood and trauma and the artistic representation of pain and suffering. The essay concludes that in these Irish plays with international protagonists a common focus on shared humanity is applied through the use of familiar Irish dramaturgical techniques that highlight the absurdity of arbitrary frontiers between people.
M3 - Chapter (peer-reviewed)
SP - 555
EP - 574
BT - The Palgrave Handbook of Contemporary Irish Theatre and Performance. Ed. Eamonn Jordan, Eric Weitz. Forthcoming: Palgrave Macmillan, 2018.