The history of sonic arts is charged with transgressive practices that seek to expose the social, aural and cultural thresholds across various listening experiences, posing new questions in terms of the dialogue between listener and place. Recent work in sonic art exposes the need for an experiential understanding of listening that foregrounds the use of new personal technologies, environmental philosophy and the subject–object relationship. This paper aims to create a vocabulary that better contextualises recent installations and performances produced within the context of everyday life, by researchers and artists at the Sonic Arts Research Centre at Queen's University Belfast.
|Number of pages||7|
|Publication status||Published - Dec 2012|
- sound art
- mobile media
- sonic arts
ASJC Scopus subject areas
- Computer Science Applications
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Pedro Rebelo (Participant), Matilde Meireles (Participant), Rui Chaves (Participant) & Aonghus McEvoy (Participant)
Impact: Cultural Impact, Societial Impact