Abstract
The article argues for a phenomenological approach to Kane's work in performance. It notes the rise in productions of Kane's work from 2004, and focuses on productions of Crave by 11th Hour Theatre in Melbourne and Acquiesce Speck in Sydney.
| Original language | English |
|---|---|
| Pages (from-to) | 80-97 |
| Number of pages | 18 |
| Journal | Australasian Drama Studies |
| Volume | 46 |
| Publication status | Published - Apr 2005 |