Exploiting local controversy: regional British censorship of Last Tango in Paris (1972)

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    Abstract

    This article explores local authority responses to the cinematic release of Last Tango in Paris in Britain. Using a range of archival material from the BBFC, the National Archives and the Public Records Office of Northern Ireland, it offers a detailed, comparative case study of three different locations; Belfast, Newport and Oxford. It argues that comparing local censorship decisions with the national decisions of the BBFC offer little in the way of regional nuance. In order to effectively understand the workings of local censorship, a deeper understanding of local discourses is needed as well as acknowledgement of broader pressure group activity and its impact on the local picture, such as that of the National Festival of Light.
    Original languageEnglish
    Pages (from-to)587-603
    Number of pages17
    JournalHistorical Journal of Film, Radio and Television
    Early online date05 Jan 2016
    DOIs
    Publication statusPublished - 01 Dec 2016

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    Keywords

    • Censorship
    • British cinema
    • Film
    • local authority

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