Female Self-Authorship and Reperformance of the “Good Death” in Marina Carr’s Woman and Scarecrow

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Original languageEnglish
Title of host publicationStaging Thought: Essays on Irish Theatre, Scholarship and Practice
EditorsRhona Trench
PublisherPeter Lang
Publication statusPublished - 2012

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