Fragmentos de Soto de Rojas: a ‘new’ mythological fable of the Spanish Baroque

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

    Abstract

    The twentieth-century poet Gerardo Diego’s commitment to the recovery of a ‘sub-genre’, the mythological fable, evident in his Fábula de Equis y Zeda (1930) has been acknowledged by Peinado Elliot (2006), among others. However a recent discovery in his archive has revealed a hitherto unknown aspect of the poet’s scholarly commitment to this endeavour. A transcription of a previously unpublished, and until recently, unknown Baroque mythological fable with the title ‘Fábula de Alfeo y Aretusa’ was recently found by his daughter Elena, alongside an unpublished study by the young poet of said fable entitled ‘Un poema manuscrito del siglo XVII de la biblioteca Menéndez Pelayo’. Rosa Navarro Durán (2012) is convinced that the correspondences with Soto de Rojas’ 'Los fragmentos de Adonis' and the clear imprint of Góngora’s 'Soledades' and his 'Fábula de Píramo y Tisbe' permit us to attribute it, with some confidence, to Pedro Soto de Rojas. This essay will consider the significance of this exciting discovery for our reading of Soto de Rojas’ existing corpus, exploring in particular the poem’s links with the dark eroticism of the Fragmentos de Adonis, (1652) and the early Fábula de la Naya.(1623)
    Original languageEnglish
    Title of host publicationArtifice and Invention in the Spanish Golden Age
    EditorsStephen Boyd, Terence OReilly
    PublisherLegenda
    ISBN (Print)9781909662162
    Publication statusPublished - Nov 2014

    Publication series

    NameStudies in Hispanic and Lusophone Culture
    Number3

    Fingerprint Dive into the research topics of 'Fragmentos de Soto de Rojas: a ‘new’ mythological fable of the Spanish Baroque'. Together they form a unique fingerprint.

    Cite this