Harpocrates and artistic representations of cerebral palsy

This chapter examines possible depictions of cerebral palsy. I demonstrate through the examples of Harpocrates and Harpocratis that ableist bias has led to depictions of disability not being recognised and how an understanding of the physical embodiment of this impairment has aided in its identification in ancient art. I also show why a disabled perspective is needed in the examination of the ancient world. Additionally, I posit that depictions of this impairment are seemingly non-stigmatised depictions and that depictions of Harpocrates are perhaps some of the best representations of the cultural fusion that occurred during this period. Figure 5.1, the child with the walker, also demonstrates societal care and accommodation for children with disabilities in the ancient world: children who might grow into adulthood and require further assistance as adults.