Intentionality in a creative art curriculum

Research output: Contribution to journalArticlepeer-review

4 Citations (Scopus)
24 Downloads (Pure)


This paper highlights inadequacies of a creative arts curriculum that claimed to have been informed by postmodern theories, without careful consideration of how these might or should impact on teaching and learning interactions. In particular, the relationship between intentionality and interpretation addressed in this case study is of concern for educationalists in a postmodern world. At issue is how assessors’ interpretations are responsive to or balanced with student meaning making. Drawing from research conducted at a South African fine art department, the author considers whether a transfer of Barthes’ notion of author to student intentionality and reader to lecturer interpretation is a constructive framework for student learning. In the case studied, flat approaches to the post-structuralist ‘intentionality fallacy’ were found to further exacerbate unequal power dynamics, with detrimental effects on student learning. An argument is made for more ethically aware approaches to the balance between interpretation and intentionality by recognizing that it echoes the relationship between self and other.
Original languageEnglish
Pages (from-to)18-36
Number of pages19
JournalJournal of Aesthetic Education
Issue number1
Publication statusPublished - Mar 2011
Externally publishedYes

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Education

Fingerprint Dive into the research topics of 'Intentionality in a creative art curriculum'. Together they form a unique fingerprint.

Cite this