Irish Shakespeare performance (faraway, so close!)

Research output: Contribution to journalArticlepeer-review

Abstract

I use Irish Shakespeare performance as a locus to interrogate how we negotiate and maintain cultural proximities and anxieties about what we term real, authentic Shakespeare in performance. Through archival research, I use Druid Theatre Company's early productions of Shakespeare plays—Much Ado About Nothing (1980–81) and As You Like It (1999)—to show how Irish Shakespeare performance occupies a nebulous position between traditionalism and iconoclasm, as well as between a desire to adhere to and to break a specific mold of performance tradition.
Original languageEnglish
JournalTransformative Works and Cultures
Volume43
DOIs
Publication statusPublished - 14 Sept 2024

Keywords

  • Irish Shakespeare
  • Shakespeare
  • performance

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