Abstract
This article looks at the phenomenology of the curtain call and the iimpact of its absence, in relation to two performances - pvi's tts; australia, and Brink Productions' 4.48 Psychosis by Sarah Kane.
| Original language | English |
|---|---|
| Pages (from-to) | 31-48 |
| Number of pages | 18 |
| Journal | Traffic |
| Volume | 8 |
| Publication status | Published - Jan 2006 |