Abstract
The article explores the themes of fluidity and immobility in the works of Ying Chen, a francophone Chinese writer whose early texts are associated with 'les écritures migrantes' of Quebec. From her third book, the narratives take on a post-death perspective and the narrator moves between her present existence and past lives.
Original language | English |
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Pages (from-to) | 57-68 |
Number of pages | 12 |
Journal | Forum for Modern Language Studies |
Volume | 43 (1) |
Issue number | 1 |
DOIs | |
Publication status | Published - Mar 2007 |
ASJC Scopus subject areas
- Linguistics and Language