Moore's influence on European music networks through the Irish Melodies and Lalla Rookh

Sarah McCleave; Triona O'Hanlon

Moore's influence on European music networks through the Irish Melodies and Lalla Rookh

Sarah McCleave, Triona O'Hanlon

School of Arts, English and Languages

Research output: Contribution to conference › Paper

109 Downloads (Pure)

Abstract

This presentation introduced the aims of project ERIN, which in this paper were demonstrated by considering the role of composers, music performances, and publishers in the dissemination of Thomas Moore's Irish Melodies and his Lalla Rookh in 19th-century Europe.

Original language	English
Publication status	Published - 30 Oct 2017
Event	Music research seminar series, Queen's University Belfast - Old McMordie Hall, Music, University Square, Queen's University Belfast, Belfast, United Kingdom Duration: 04 Oct 1995 → …

Seminar

Seminar	Music research seminar series, Queen's University Belfast
Country/Territory	United Kingdom
City	Belfast
Period	04/10/1995 → …

Bibliographical note

Text copyright the authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

Keywords

Thomas Moore
Lalla Rookh
Irish Melodies
publishing -- 19th century
songs -- 19th century
theatre music -- 19th century

ASJC Scopus subject areas

General Arts and Humanities

Access to Document

Moore's influence on European music networks through the Irish Melodies and Lalla Rookh
Text copyright the authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]
Other version, 0.99 MBLicence: Unspecified

1 Finished

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe
McCleave, S. (PI) & O'Hanlon, T. (CoI)
27/04/2015 → 31/08/2017
Project: Research

1 Chapter (peer-reviewed)

The role of community, network and sentiment in shaping the reputations of Thomas Moore: Poetry, Music and Politics
McCleave, S., 08 Aug 2019, The Reputations of Thomas Moore: Poetry, Music and Politics. McCleave, S. & O'Hanlon, T. (eds.). New York: Routledge, p. 1-22 22 p. (Poetry and Song in the Age of Revolution).
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Cite this

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title = "Moore's influence on European music networks through the Irish Melodies and Lalla Rookh",

abstract = "This presentation introduced the aims of project ERIN, which in this paper were demonstrated by considering the role of composers, music performances, and publishers in the dissemination of Thomas Moore's Irish Melodies and his Lalla Rookh in 19th-century Europe.",

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author = "Sarah McCleave and Triona O'Hanlon",

note = "Text copyright the authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected] ; Music research seminar series, Queen's University Belfast ; Conference date: 04-10-1995",

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AU - McCleave, Sarah

AU - O'Hanlon, Triona

N1 - Text copyright the authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

PY - 2017/10/30

Y1 - 2017/10/30

N2 - This presentation introduced the aims of project ERIN, which in this paper were demonstrated by considering the role of composers, music performances, and publishers in the dissemination of Thomas Moore's Irish Melodies and his Lalla Rookh in 19th-century Europe.

AB - This presentation introduced the aims of project ERIN, which in this paper were demonstrated by considering the role of composers, music performances, and publishers in the dissemination of Thomas Moore's Irish Melodies and his Lalla Rookh in 19th-century Europe.

KW - Thomas Moore

KW - Lalla Rookh

KW - Irish Melodies

KW - publishing -- 19th century

KW - songs -- 19th century

KW - theatre music -- 19th century

M3 - Paper

T2 - Music research seminar series, Queen's University Belfast

Y2 - 4 October 1995

ER -

Moore's influence on European music networks through the Irish Melodies and Lalla Rookh

Abstract

Seminar

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

Fingerprint

Projects

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe

Research output

The role of community, network and sentiment in shaping the reputations of Thomas Moore: Poetry, Music and Politics

Cite this