'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London

Yo Tomita

'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London

Musicology & Composition

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	The Piano in Nineteenth-Century British Culture
Subtitle of host publication	Instruments, Performers and Repertoire
Editors	Therese Ellsworth, Susan Wollenberg
Place of Publication	Aldershot
Publisher	Ashgate Publishing
Pages	33-67
Number of pages	34
ISBN (Print)	978-0754661436
Publication status	Published - 2007

Keywords

Bach, Johann Sebastian
The Well-Tempered Clavier
Reception History

Cite this

Tomita, Y. (2007). 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. In T. Ellsworth, & S. Wollenberg (Eds.), The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire (pp. 33-67). Ashgate Publishing.

Tomita, Yo. / 'Most ingenious, most learned, and yet practicable work' : The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire. editor / Therese Ellsworth ; Susan Wollenberg. Aldershot : Ashgate Publishing, 2007. pp. 33-67

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title = "'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London",

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year = "2007",

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Tomita, Y 2007, 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. in T Ellsworth & S Wollenberg (eds), The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire. Ashgate Publishing, Aldershot, pp. 33-67.

'Most ingenious, most learned, and yet practicable work' : The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. / Tomita, Yo.

The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire. ed. / Therese Ellsworth; Susan Wollenberg. Aldershot : Ashgate Publishing, 2007. p. 33-67.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

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T2 - The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London

AU - Tomita, Yo

PY - 2007

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KW - Bach, Johann Sebastian

KW - The Well-Tempered Clavier

KW - Reception History

M3 - Chapter

SN - 978-0754661436

SP - 33

EP - 67

BT - The Piano in Nineteenth-Century British Culture

A2 - Ellsworth, Therese

A2 - Wollenberg, Susan

PB - Ashgate Publishing

CY - Aldershot

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Tomita Y. 'Most ingenious, most learned, and yet practicable work': The English Reception of Bach's Well-Tempered Clavier in the First Half of the Nineteenth Century seen through the Editions Published in London. In Ellsworth T, Wollenberg S, editors, The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire. Aldershot: Ashgate Publishing. 2007. p. 33-67