Abstract
In this article, I focus on Licínio de Azevedo’s 2012 film, Virgem
Margarida, in relation to Frelimo’s policy of forced re-education camps and their
effects on marginalized women in 1980s Mozambique. I also examine the recent
political instability in Mozambique and the gendered legacies of regional
sentiments on Mozambican national identity
Original language | English |
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Pages (from-to) | 153-176 |
Number of pages | 4 |
Journal | Journal of Lusophone Studies |
Volume | 1 |
Issue number | 1 |
Publication status | Published - 2016 |