"Mulheres Novas Com Cabeças Limpas": Pitfalls of the Revolution in Licínio Azevedo's  Virgem Margarida

Maria Tavares

"Mulheres Novas Com Cabeças Limpas": Pitfalls of the Revolution in Licínio Azevedo's Virgem Margarida

Maria Tavares

School of Arts, English and Languages

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Abstract

In this article, I focus on Licínio de Azevedo’s 2012 film, Virgem Margarida, in relation to Frelimo’s policy of forced re-education camps and their effects on marginalized women in 1980s Mozambique. I also examine the recent political instability in Mozambique and the gendered legacies of regional sentiments on Mozambican national identity

Original language	English
Pages (from-to)	153-176
Number of pages	4
Journal	Journal of Lusophone Studies
Volume	1
Issue number	1
Publication status	Published - 2016

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‘Mulheres Novas com Cabeças Limpas’: Pitfalls of the Revolution in Licínio de Azevedo’s Virgem Margarida
© 2016 The Authors. This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited.
Final published version, 454 KBLicence: CC BY

http://jls.apsa.us/index.php/jls/article/view/39/68Licence: Unspecified

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AB - In this article, I focus on Licínio de Azevedo’s 2012 film, Virgem Margarida, in relation to Frelimo’s policy of forced re-education camps and their effects on marginalized women in 1980s Mozambique. I also examine the recent political instability in Mozambique and the gendered legacies of regional sentiments on Mozambican national identity

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