Odilon Redon – Écrits

Research output: Book/ReportScholarly edition

Abstract

Reviews:
The most interesting recent insight into Redon and his work emerges from this slender edition of his own early writings, carefully edited and presented by Claire Moran.’ — Natalie Adamson, Modern Language Review 101.4, 2006, 1131 (full text online)
‘Ce recueil ne manquera pas de susciter l'approfondissement d'études antérieures ou de nouvelles analyses sur l'expression écrite et picturale de Redon. En tant que chercheur, nous ne pouvons qu'encourager ce genre de collection qui facilite notre travail et nous offre par conséquent de nouveaux horizons de recherche.’ — Béatrice Vernier-Larochette, Dalhousie French Studies 76, 2006, 168-69
‘Claire Moran's exemplary introduction shows ... that Redon stood 'au cœur du chassé-croisé entre art et littérature' at the start of the twentieth century ... This publication will be heartily welcomed by all devotees of Redon's strange œuvre.’ — Peter Low, New Zealand Journal of French Studies 27.2, 2006, 52-53
Original languageFrench
Place of PublicationLondon
PublisherMHRA
Number of pages200
Volume1
Edition2005
ISBN (Print)9780947623630
Publication statusPublished - 2005

Publication series

Name MHRA Critcial Texts

Bibliographical note

This is the first edition of the fictional writings of the major 19th-century Symbolist painter, Odilon Redon. The texts were transcribed from the archives at the Museum of Chicago and are heavily annotated by the editor. The books also comprises an extensive 25-page introduction.
Reviews:
The most interesting recent insight into Redon and his work emerges from this slender edition of his own early writings, carefully edited and presented by Claire Moran.’ — Natalie Adamson, Modern Language Review 101.4, 2006, 1131 (full text online)
‘Ce recueil ne manquera pas de susciter l'approfondissement d'études antérieures ou de nouvelles analyses sur l'expression écrite et picturale de Redon. En tant que chercheur, nous ne pouvons qu'encourager ce genre de collection qui facilite notre travail et nous offre par conséquent de nouveaux horizons de recherche.’ — Béatrice Vernier-Larochette, Dalhousie French Studies 76, 2006, 168-69
‘Claire Moran's exemplary introduction shows ... that Redon stood 'au cœur du chassé-croisé entre art et littérature' at the start of the twentieth century ... This publication will be heartily welcomed by all devotees of Redon's strange œuvre.’ — Peter Low, New Zealand Journal of French Studies 27.2, 2006, 52-53

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