Abstract
This article focuses on the short story ‘João, o hipopótamo’ [‘John, the hippopotamus’] (2012: 71–76) by Mozambican author Paulina Chiziane, which places the narration in Nampula thus invoking the realities of a predominantly Makua cultural group and the co-existence of different versions of Islam and matriliny. The main argument of this article is that by discussing gender identities and relations and invoking practices of legal pluralism observed in a context specifically located outside Maputo, the author unveils the problematic inherent in the construction of a national narrative as a cosmopolitan one built from above, which neglects to give equal value to different cultures.
| Original language | English |
|---|---|
| Pages (from-to) | 443–468 |
| Number of pages | 26 |
| Journal | Journal of Romance Studies |
| Volume | 19 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - Dec 2019 |
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