Project ERIN and the Response of European Composers to Thomas Moore’s Lalla Rookh

Sarah McCleave; Triona O'Hanlon

Project ERIN and the Response of European Composers to Thomas Moore’s Lalla Rookh

Sarah McCleave, Triona O'Hanlon

School of Arts, English and Languages

Research output: Contribution to conference › Paper

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Abstract

This presentation forms part of the output for the Horizon 2020 funded project ERIN. In it, we considered the response of European composers to Moore’s Lalla Rookh through the case studies of Gasparo Spontini’s Lalla Rûkh and Nourmahal. We introduced two outputs from project ERIN: the online catalogue and the Lalla Rookh online exhibition. We also discussed the music which was performed in the concert immediately following the lecture.

Original language	English
Number of pages	39
Publication status	Published - 17 Jun 2017
Event	15th Annual Plenary Conference of the Society for Musicology in Ireland - School of Arts, English and Languages, Queen's University Belfast, Belfast, United Kingdom Duration: 16 Jun 2017 → 18 Jun 2017 http://qub.ac.uk/sites/smi2017/

Conference

Conference	15th Annual Plenary Conference of the Society for Musicology in Ireland
Abbreviated title	SMI2017
Country/Territory	United Kingdom
City	Belfast
Period	16/06/2017 → 18/06/2017
Internet address	http://qub.ac.uk/sites/smi2017/

Bibliographical note

Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

Keywords

Thomas Moore
Lalla Rookh
song -- 19th century
illustrations -- 19th century
publishing -- 19th century

ASJC Scopus subject areas

General Arts and Humanities

Access to Document

Project ERIN and the Response of European Composers to Thomas Moore’s Lalla Rookh
Text © 2017 The Author(s). Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]
Other version, 11.2 MBLicence: Unspecified

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe
McCleave, S. (PI) & O'Hanlon, T. (CoI)
27/04/2015 → 31/08/2017
Project: Research

Cite this

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title = "Project ERIN and the Response of European Composers to Thomas Moore{\textquoteright}s Lalla Rookh",

abstract = "This presentation forms part of the output for the Horizon 2020 funded project ERIN. In it, we considered the response of European composers to Moore{\textquoteright}s Lalla Rookh through the case studies of Gasparo Spontini{\textquoteright}s Lalla R{\^u}kh and Nourmahal. We introduced two outputs from project ERIN: the online catalogue and the Lalla Rookh online exhibition. We also discussed the music which was performed in the concert immediately following the lecture.",

keywords = "Thomas Moore, Lalla Rookh, song -- 19th century, illustrations -- 19th century, publishing -- 19th century",

author = "Sarah McCleave and Triona O'Hanlon",

note = "Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected] ; 15th Annual Plenary Conference of the Society for Musicology in Ireland, SMI2017 ; Conference date: 16-06-2017 Through 18-06-2017",

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language = "English",

url = "http://qub.ac.uk/sites/smi2017/",

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TY - CONF

T1 - Project ERIN and the Response of European Composers to Thomas Moore’s Lalla Rookh

AU - McCleave, Sarah

AU - O'Hanlon, Triona

N1 - Text copyright the Authors. Reproduction of any images in any format for any purpose other than personal research and study may constitute a violation of CDPA 1988 and infringement of rights associated with the materials. Please contact us for permissions information at [email protected]

PY - 2017/6/17

Y1 - 2017/6/17

N2 - This presentation forms part of the output for the Horizon 2020 funded project ERIN. In it, we considered the response of European composers to Moore’s Lalla Rookh through the case studies of Gasparo Spontini’s Lalla Rûkh and Nourmahal. We introduced two outputs from project ERIN: the online catalogue and the Lalla Rookh online exhibition. We also discussed the music which was performed in the concert immediately following the lecture.

AB - This presentation forms part of the output for the Horizon 2020 funded project ERIN. In it, we considered the response of European composers to Moore’s Lalla Rookh through the case studies of Gasparo Spontini’s Lalla Rûkh and Nourmahal. We introduced two outputs from project ERIN: the online catalogue and the Lalla Rookh online exhibition. We also discussed the music which was performed in the concert immediately following the lecture.

KW - Thomas Moore

KW - Lalla Rookh

KW - song -- 19th century

KW - illustrations -- 19th century

KW - publishing -- 19th century

M3 - Paper

T2 - 15th Annual Plenary Conference of the Society for Musicology in Ireland

Y2 - 16 June 2017 through 18 June 2017

ER -

Project ERIN and the Response of European Composers to Thomas Moore’s Lalla Rookh

Abstract

Conference

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

Fingerprint

Projects

R6509CRA: Europe's Reception of the Irish Melodies and National Airs: Thomas Moore in Europe

Cite this