Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians

Research output: Contribution to journalArticle

Abstract

Academic analyses of music aesthetics often privilege the intellectual process of creating symbolic connections over the practical negotiation between performing musicians in a setting of rehearsal. In contrast, this article examines the way in which aesthetic elements (styles of improvisation, instrumental riffs, bass-lines, rhythm grooves, and so on) emerge as a result of power-struggles, personal rivalries, and competing stylistic sensibilities. Drawing on my research among ethnic-jazz music groups in Athens, who experimented with cross-overs between funk rhythms, Eastern-Mediterranean modal melodies, and jazz harmonisation, this essay will reveal how musical hybridity can become a contested terrain during rehearsals, creating social dramas of different magnitudes. The first part of the article examines ethnographic vignettes from rehearsals with Athenian musicians, while the second part analyses written testimonies from musicians on their perception of rehearsals and their role in collective music-making.
Original languageEnglish
Pages (from-to)85-102
Number of pages18
JournalJournal of World Popular Music
Volume6
Issue number1
DOIs
Publication statusPublished - 18 Jun 2019

Fingerprint

jazz
musician
aesthetics
music
spontaneity
power struggle
harmonization
drama
testimony
privilege
Jazz
Rehearsal
Aesthetics
Musicians
Group
Rhythm

Keywords

  • Jazz
  • Greek music
  • Greece
  • Performance
  • Power
  • ethnography

Cite this

@article{5e71e88a0e0d41e880b3bf9b1928681d,
title = "Rehearsing the {\'E}thnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians",
abstract = "Academic analyses of music aesthetics often privilege the intellectual process of creating symbolic connections over the practical negotiation between performing musicians in a setting of rehearsal. In contrast, this article examines the way in which aesthetic elements (styles of improvisation, instrumental riffs, bass-lines, rhythm grooves, and so on) emerge as a result of power-struggles, personal rivalries, and competing stylistic sensibilities. Drawing on my research among ethnic-jazz music groups in Athens, who experimented with cross-overs between funk rhythms, Eastern-Mediterranean modal melodies, and jazz harmonisation, this essay will reveal how musical hybridity can become a contested terrain during rehearsals, creating social dramas of different magnitudes. The first part of the article examines ethnographic vignettes from rehearsals with Athenian musicians, while the second part analyses written testimonies from musicians on their perception of rehearsals and their role in collective music-making.",
keywords = "Jazz, Greek music, Greece, Performance, Power, ethnography",
author = "Ioannis Tsioulakis",
year = "2019",
month = "6",
day = "18",
doi = "10.1558/jwpm.38564",
language = "English",
volume = "6",
pages = "85--102",
journal = "Journal of World Popular Music",
issn = "2052-4900",
publisher = "Equinox",
number = "1",

}

Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians. / Tsioulakis, Ioannis.

In: Journal of World Popular Music, Vol. 6, No. 1, 18.06.2019, p. 85-102.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians

AU - Tsioulakis, Ioannis

PY - 2019/6/18

Y1 - 2019/6/18

N2 - Academic analyses of music aesthetics often privilege the intellectual process of creating symbolic connections over the practical negotiation between performing musicians in a setting of rehearsal. In contrast, this article examines the way in which aesthetic elements (styles of improvisation, instrumental riffs, bass-lines, rhythm grooves, and so on) emerge as a result of power-struggles, personal rivalries, and competing stylistic sensibilities. Drawing on my research among ethnic-jazz music groups in Athens, who experimented with cross-overs between funk rhythms, Eastern-Mediterranean modal melodies, and jazz harmonisation, this essay will reveal how musical hybridity can become a contested terrain during rehearsals, creating social dramas of different magnitudes. The first part of the article examines ethnographic vignettes from rehearsals with Athenian musicians, while the second part analyses written testimonies from musicians on their perception of rehearsals and their role in collective music-making.

AB - Academic analyses of music aesthetics often privilege the intellectual process of creating symbolic connections over the practical negotiation between performing musicians in a setting of rehearsal. In contrast, this article examines the way in which aesthetic elements (styles of improvisation, instrumental riffs, bass-lines, rhythm grooves, and so on) emerge as a result of power-struggles, personal rivalries, and competing stylistic sensibilities. Drawing on my research among ethnic-jazz music groups in Athens, who experimented with cross-overs between funk rhythms, Eastern-Mediterranean modal melodies, and jazz harmonisation, this essay will reveal how musical hybridity can become a contested terrain during rehearsals, creating social dramas of different magnitudes. The first part of the article examines ethnographic vignettes from rehearsals with Athenian musicians, while the second part analyses written testimonies from musicians on their perception of rehearsals and their role in collective music-making.

KW - Jazz

KW - Greek music

KW - Greece

KW - Performance

KW - Power

KW - ethnography

U2 - 10.1558/jwpm.38564

DO - 10.1558/jwpm.38564

M3 - Article

VL - 6

SP - 85

EP - 102

JO - Journal of World Popular Music

JF - Journal of World Popular Music

SN - 2052-4900

IS - 1

ER -