Shakespeare and 'Keraliyatha': 'Romeo and Juliet', Adaptation and South Indian Cinemas

Research output: Contribution to journalArticlepeer-review

14 Downloads (Pure)

Abstract

This article discusses two Romeo and Juliet adaptations from Kerala, Annayum Rasoolum (dir. Rajeev Ravi, 2013) and Eeda (dir. B. Ajithkumar, 2018). Both films situate the lovers in a regional milieu which challenges notions of progress, as representations of political and religious contest suggest. Taking Ratheesh Radhakrishnan’s claim that the Malayalam film prioritises Keraliyatha or ‘Kerala-ness’, I suggest that songs and rituals are crucial to the films’ imagining of the lovers in relation to local cultures. Annayum Rasoolum and Eeda hold out the prospect of different futures, yet, ultimately, fall back on ambiguated conclusions and spectacles of separation and precarity.
Original languageEnglish
Number of pages20
JournalCahiers Elisabethains
Volume105
Issue number1
Early online date15 Apr 2021
DOIs
Publication statusEarly online date - 15 Apr 2021

Fingerprint

Dive into the research topics of 'Shakespeare and 'Keraliyatha': 'Romeo and Juliet', Adaptation and South Indian Cinemas'. Together they form a unique fingerprint.

Cite this