Silence and the Image: Raymond Depardon's New York, N.Y.

Research output: Contribution to journalArticle

Abstract

What was given up in giving up the silence of film, in particular the silence of the city? Echoing Stanley Cavell, this essay contemplates Raymond Depardon’s experimental documentary New York, N.Y. (1985), a film that travels between sound and silence, quietly addressing questions concerning the nature of the photographic medium itself.
Original languageEnglish
JournalIIIIXIII: Four By Three
Issue number6
Publication statusPublished - 29 Oct 2016

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