Slicing spaces: performance of architecture in cinema

As suggested in the title, Slicing Spaces: Performance of Architecture in Cinema aims to slice through the multifaceted layers of selected film scenes. The text thoroughly investigates how architecture performs as an altruist, proving that environed space is not merely a background element of the dissected scenes, but an active performing character. The performance of architecture varies depending on what the film wants the viewer to feel, whether it is fear, pity, compassion or happiness. Considerations take a collaborative approach, not solely observing film and architecture, but also studying the likes of movement, sound, psychology and power of the imagination. The substantial spectrum of opinions from contributing authors allows the reader to absorb the extensive diverse relationships of architecture in cinema. In turn, this allows the reader to form their own opinions on the topic and inspire a new way of thinking. The aim of this book therefore is to uncover and explore the interconnected relationship between architecture and cinema. Overall, the book focuses on the authoritative contribution architecture has had to the realm of filmmaking. By doing so, it uncovers a path to look at lived spaces of architectural design, be it interiors, buildings or cities, from a different perspective. An important aspect of this book is the use of visual representation. It is curated, taking time to consider the representation of the text through striking imagery. Utilising the architectural ingenuity of drawings and graphics, the collection takes the reader on a visual journey, as well as one through words.