Abstract
Using the Limerick lace veil as a case study, this article argues that Irish female religious orders used Catholic materiality to maintain connections between former students and the wider Irish Catholic community within Australia. The ownership, manufacture and consumption of Limerick lace was predominantly shaped by women in Ireland and in Australia. Fashion provided a particularly feminine way of engaging with ethnic identity, separate from the male-dominated pulpit and the clubs of ethnic associational culture. By moving our focus to fashion choices, we can shift our exploration of religious and social power in the Irish Catholic Church to encompass more fully the diverse influences on ethnic and religious identity creation. Examining the practices of religious orders and how they engaged with the material culture of faith and ethnicity, this article presents a new perspective on the Irish Catholic diaspora which is currently missing from scholarship on the ‘spiritual empire’ during the nineteenth and twentieth centuries.
Original language | English |
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Pages (from-to) | 304-324 |
Journal | Social History |
Volume | 45 |
Issue number | 3 |
DOIs | |
Publication status | Published - 06 Aug 2020 |
Externally published | Yes |
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Dive into the research topics of 'Something borrowed : women, Limerick lace and community heirlooms in the Australian Irish diaspora'. Together they form a unique fingerprint.Prizes
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Society for the Study of Nineteenth-Century Ireland Essay Prize
Cooper, S. (Recipient), 2023
Prize: Prize (including medals and awards)
Press/Media
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A woman capable of making a nation: The Irish nun who left a legacy of social provision in 19th Century Chicago
18/01/2022
1 Media contribution
Press/Media: Public Engagement Activities