Spectator understanding of error in performance

A.C. Fyans; M. Gurevich; P. Stapleton

doi:10.1145/1520340.1520600

Spectator understanding of error in performance

A.C. Fyans, M. Gurevich, P. Stapleton

Sonic Arts

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

4 Citations (Scopus)

Abstract

The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger project examining how interactions with technology can be communicated to spectators, we present a model of a spectator's understanding of error by a performer. This model is broadly applicable throughout HCI, as interactions with technology are increasingly public and spectatorship is becoming more common.

Original language	English
Title of host publication	Conference on Human Factors in Computing Systems - Proceedings
Pages	3955-3960
Number of pages	6
DOIs	https://doi.org/10.1145/1520340.1520600
Publication status	Published - Apr 2009
Event	Conference on Human Factors in Computing Systems (CHI) - Boston, MA, United States Duration: 01 Apr 2009 → 01 Apr 2009

Conference

Conference	Conference on Human Factors in Computing Systems (CHI)
Country/Territory	United States
City	Boston, MA
Period	01/04/2009 → 01/04/2009

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10.1145/1520340.1520600

Cite this

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title = "Spectator understanding of error in performance",

abstract = "The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger project examining how interactions with technology can be communicated to spectators, we present a model of a spectator's understanding of error by a performer. This model is broadly applicable throughout HCI, as interactions with technology are increasingly public and spectatorship is becoming more common.",

author = "A.C. Fyans and M. Gurevich and P. Stapleton",

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AU - Gurevich, M.

AU - Stapleton, P.

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N2 - The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger project examining how interactions with technology can be communicated to spectators, we present a model of a spectator's understanding of error by a performer. This model is broadly applicable throughout HCI, as interactions with technology are increasingly public and spectatorship is becoming more common.

AB - The development of computer-based devices for music control has created a need to study how spectators understand new performance technologies and practices. As a part of a larger project examining how interactions with technology can be communicated to spectators, we present a model of a spectator's understanding of error by a performer. This model is broadly applicable throughout HCI, as interactions with technology are increasingly public and spectatorship is becoming more common.

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U2 - 10.1145/1520340.1520600

DO - 10.1145/1520340.1520600

M3 - Conference contribution

SN - 9781605582474

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EP - 3960

BT - Conference on Human Factors in Computing Systems - Proceedings

T2 - Conference on Human Factors in Computing Systems (CHI)

Y2 - 1 April 2009 through 1 April 2009

ER -

Spectator understanding of error in performance

Abstract

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