Abstract
This article will discuss a recent ensemble composition entitled Starbog which was toured and broadcast in Britain in 2006 . The composition of Starbog focused on developing working methods which combined computer-based techniques (using OpenMusic) with more subconscious means of generating musical ideas. The challenge in achieving this was as much aesthetic/philosophical as it was technical and the present article is intending as a ‘sounding’ which focuses on the influence OpenMusic has had on the composer’s music, rather than documenting the nature of the often simple application of algorithms.
| Original language | English |
|---|---|
| Title of host publication | The OM Composer's Book vol 2 |
| Editors | Jean Bresson, Carlos Agon, Gérard Assayag |
| Place of Publication | Paris |
| Publisher | Ircam Centre Pompidou |
| Pages | 93-105 |
| Number of pages | 13 |
| ISBN (Print) | 978-2-84426-399-5/2-7521-0051-5 |
| Publication status | Published - 2008 |