@inbook{95ca087cf05642e88f07453b3a3d3ad9,
title = "The Cinematic Dispositif and Its Ghost - Sugimoto{\textquoteright}s Theaters",
abstract = "This chapter will engage with the work of the artist and photographer Hiroshi Sugimoto in order to reflect on the nature of the cinematic apparatus in the digital era. Sugimoto{\textquoteright}s photographic work Theatres consists in a series of photographs of cinema theatres taken by the artist from the 1980s applying a wide-open aperture and an exposure as long as the film itself, capturing de facto an average of 170,000 frames in a single shot. The result is a {\textquoteleft}film in a single frame{\textquoteright}, and a profound reflection on the role that time, lights, and the space of the audience play in the cinematic experience. The chapter looks from a cinematic perspective at the regenerative aspect of the photographic medium in its after-shot, a question called by Sugimoto a {\textquoteleft}resurrection{\textquoteright}",
author = "Stefano Baschiera",
year = "2020",
month = may,
day = "20",
doi = "10.1515/9789048542024-013",
language = "English",
series = "Film Culture in transition ",
publisher = "Amsterdam University Press",
pages = "195--213",
editor = "\{Murphy \}, \{Jill \} and Rascaroli, \{Laura \}",
booktitle = "Theorizing Film Through Contemporary Art- Expanding Cinema",
}