Research output per year
Research output per year
Abstract
This chapter outlines the working methods of the prolific writer and lyricist Thomas Moore—which were characterized by the unfortunate combination of a perfectionist streak, a tendency to release material to the publishers while still in the creative mode, and a tendency to re-visit previously-published material. The Gibson-Massie Moore collection at Queen's University Belfast teaches us a great deal about Moore’s creative processes, and also records the nineteenth-century publishing industry’s response to one of its most prolific and popular creative artists. This chapter is illustrated by an online Exhibition, the 'Thomas Moore Project', Digital Collections, Special Collections, McClay library (see URL below).
| Original language | English |
|---|---|
| Title of host publication | Cheap Print and Popular Song in the Nineteenth Century. A Cultural History of the Songster |
| Editors | Paul Watt, Derek B. Scott, Patrick Spedding |
| Place of Publication | Cambridge |
| Publisher | Cambridge University Press |
| Pages | 47-70 |
| Number of pages | 24 |
| ISBN (Electronic) | 9781316672037 |
| ISBN (Print) | 9781107159914 |
| DOIs | |
| Publication status | Published - 01 Jan 2017 |
Bibliographical note
I am the contributor of one essay in this collection.Keywords
- publishing practices
- creative processes
- romantic period
- romantic song
ASJC Scopus subject areas
- General Arts and Humanities
Fingerprint
Dive into the research topics of 'The genesis of Thomas Moore’s Irish melodies, 1808-1834'. Together they form a unique fingerprint.Profiles
Research output
- 4 Citations
- 1 Web publication/site
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Thomas Moore Music Project: The Genesis of Thomas Moore's Irish Melodies
Special Collections, McClay Library, 2014Research output: Non-textual form › Web publication/site