In this short article I feature examples of the creative appropriation and transformation of a protest vehicle such as the petrol bomb. I show that the human imagination can create an aesthetics out of even the street protest, and can creatively carnivalise, play and translocate such practices and violent stances into the dance studio, the theatre, and even the everyday.
Bibliographical noteeISSN: 1741-2714 ISSN: 1466-1381
ASJC Scopus subject areas
- Cultural Studies