Abstract
The visionary prowess of the artist was established, in both the visual and verbal arts, by the Symbolists in Fin de siècle France. This article asserts a continuity between the avowed spiritual dimension of their work and the visionary power of surrealist art asserted—despite strong resistance from the centre—by a group of renegade surrealists in the 1920s and beyond. To do so, it explores the artists that Spanish-born Mexican painter Remedios Varo (1908 – 1963) depicts in her work, demonstrating how they might be better understood when analysed in relation to Georges Ivanovich Gurdjieff’s (1866?-1949) esoteric aesthetics. In doing so, it reveals a neglected, postsecular trajectory in the history of surrealism.
Original language | English |
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Pages (from-to) | 533-561 |
Number of pages | 29 |
Journal | Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America |
Volume | 95 |
Issue number | 5 |
DOIs | |
Publication status | Published - 01 Jun 2018 |
Keywords
- Surrealism
- Mysticism
- G. I. Gurdjieff
- P. D. Ouspensky
- Le Grand Jeu
- Western Esotericism
- Remedios Varo