Abstract
The visionary prowess of the artist was established, in both the visual and verbal arts, by the Symbolists in Fin de siècle France. This article asserts a continuity between the avowed spiritual dimension of their work and the visionary power of surrealist art asserted—despite strong resistance from the centre—by a group of renegade surrealists in the 1920s and beyond. To do so, it explores the artists that Spanish-born Mexican painter Remedios Varo (1908 – 1963) depicts in her work, demonstrating how they might be better understood when analysed in relation to Georges Ivanovich Gurdjieff’s (1866?-1949) esoteric aesthetics. In doing so, it reveals a neglected, postsecular trajectory in the history of surrealism.
| Original language | English |
|---|---|
| Pages (from-to) | 533-561 |
| Number of pages | 29 |
| Journal | Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America |
| Volume | 95 |
| Issue number | 5 |
| DOIs | |
| Publication status | Published - 01 Jun 2018 |
Keywords
- Surrealism
- Mysticism
- G. I. Gurdjieff
- P. D. Ouspensky
- Le Grand Jeu
- Western Esotericism
- Remedios Varo
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Research output
- 2 Article
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"Should we try to Self Remember while playing Snakes and Ladders?": Dr. Gambit as Gurdjieff in Leonora Carrington’s The Hearing Trumpet (1950)
O'Rawe, R., 25 Feb 2017, In: Religion and the Arts. 21, 1-2, p. 189-208 20 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile2356 Downloads (Pure) -
Ruedas metafísicas: ‘Personality’ and ‘Essence’ in Remedios Varo’s Paintings
O'Rawe, R., Oct 2014, In: Hispanic Research Journal. 15, 5, p. 445-462 18 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile1 Link opens in a new tab Citation (Scopus)1597 Downloads (Pure)
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