Abstract
Mainly known today for its role in the dispute over the Earl of Chesterfield’s patronage (or otherwise) of Johnson’s Dictionary, Robert Dodsley and Edward Moore’s The World (1753-56) was one of the most successful single-essay periodicals of its day. This article presents a detailed account of the work, focusing especially on the critical and historical issues raised by its multiple authorship, essayistic tone, and elite associations. Turning to its early nineteenth-century afterlives, the article also assesses how The World’s trademark irony and titled contributors affected its standing at this key moment in the canonization of the classic essay serials.
| Original language | English |
|---|---|
| Pages (from-to) | 333-354 |
| Number of pages | 22 |
| Journal | Modern Language Review |
| Volume | 120 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 01 Jul 2025 |
Publications and Copyright Policy
This work is licensed under Queen’s Research Publications and Copyright Policy.Keywords
- authorship
- irony
- essay-periodical